我们属于大海

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES
Laurie Ellinghausen
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引用次数: 1

摘要

在早期现代文学研究中,叛徒的形象被广泛讨论,学者们将流氓行为置于种族、宗教和民族主义的话语中。然而,这些观点并没有充分解决国内阶级和劳工话语如何塑造叛逆者的表现。我的论文填补了这一空白,特别关注英国人对流浪的焦虑,这是一种国内现象,在国外以新的形式表现出来,在海盗、叛教者和其他在英国国家地理边界之外活动的叛徒中。具体来说,我研究了罗伯特·达伯恩的戏剧《一个基督徒变成土耳其人》中约翰·沃德上尉的形象。为了证明沃德的名声和他作为一个卑微的渔夫和被征召的水手的实际背景之间以前被忽视的联系。本文通过对该剧及其素材如何将沃德塑造成一个无主见的人的细致考察,对早期现代英国叛徒形象塑造中被忽视的阶级和劳动问题有了新的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
We are of the Sea
The figure of the renegade has been widely discussed in the field of early modern literary studies, with scholars situating rogue behavior within discourses of race, religion, and nationalism. However, these perspectives have not adequately addressed how domestic discourses of class and labor also shaped representations of renegades. My paper fills this gap by paying particular attention to English anxieties about vagrancy, a domestic phenomenon that manifested itself in new forms abroad, among pirates, apostates, and other traitors operating outside the geographical boundaries of the English state. Specifically, I examine the figure of Captain John Ward in Robert Daborne’s play A Christian Turned Turk (pub. 1612), in order to demonstrate previously overlooked connections between Ward’s reputation and his actual background as a lowly fisherman and conscripted sailor. This paper, by closely examining how the play and its sources construct Ward as a masterless man, sheds new light on the neglected issues of class and labor in the construction of the early modern English renegade.
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
11
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