Dialogues and Narratives Surrounding Confucius and His Disciples in the Shanghai Museum Manuscripts (上博楚简有关孔子师徒的对话与故事)

Q2 Arts and Humanities
Guo Qiyong (郭齊勇)
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引用次数: 1

摘要

This article is a study of narratives and dialogues surrounding Confucius and his disciples in the Shanghai Museum Manuscripts, focusing on their relationship with received texts, as well as their periodization and genre division. The Shanghai Museum narratives seem to be situated between Lun yu (Analects) and Han Shi waizhuan (Han Ying’s Outer Commentary to the Poetry), in that they are not as succinct and precise as the former, but also not overly elaborate like the latter. These narratives are possibly the work of Confucians from the mid to late Warring States period.通过讨论上博简中孔子与颜渊、子路、子贡等的对话或故事与经典的关系及其文字属性问题,本文认为其中有关内容,介于《论语》与《韩诗外传》诸书之间,不如前者精炼、准确,又不像后者铺陈太过。这可能就是战国中后期的儒家作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dialogues and Narratives Surrounding Confucius and His Disciples in the Shanghai Museum Manuscripts (上博楚簡有關孔子師徒的對話與故事)
This article is a study of narratives and dialogues surrounding Confucius and his disciples in the Shanghai Museum Manuscripts, focusing on their relationship with received texts, as well as their periodization and genre division. The Shanghai Museum narratives seem to be situated between Lun yu (Analects) and Han Shi waizhuan (Han Ying’s Outer Commentary to the Poetry), in that they are not as succinct and precise as the former, but also not overly elaborate like the latter. These narratives are possibly the work of Confucians from the mid to late Warring States period. 通過討論上博簡中孔子與顔淵、子路、子貢等的對話或故事與經典的關係及其文字屬性問題,本文認爲其中有關內容,介於《論語》與《韓詩外傳》諸書之間,不如前者精煉、準確,又不像後者鋪陳太過。這可能就是戰國中後期的儒家作品。
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来源期刊
Bamboo and Silk
Bamboo and Silk ASIAN STUDIES-
CiteScore
0.10
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13
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