音乐姿态与线条对应:协同影像调解与方法论

IF 0.2 4区 艺术学 Q2 Arts and Humanities
D. Portelli
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引用次数: 1

摘要

手势可以被认为是由动态的、多感官的线条组成的。由此,作者从英戈尔德的“线条对应”中汲取灵感,将其作为一种音乐概念和一种变革性的作曲过程,为手势线条表达和身体符号系统的发展提供了信息。作者概述了他为两个作品开发的技术,包括视频评分方法和软件,可以在协作艺术音乐环境中进行交互式视频手势采样。作者还采用了Ingold的“网格”概念,即线条溢出,并想象如何通过感官模式感知网格。通过荒诞主义的器乐作品和以身体为基础的音乐的例子,这些线条的话语被语境化了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Gesture and the Correspondence of Lines: Collaborative Video Mediation and Methodology
Abstract Music Gesture can be thought of as being made up of dynamic, multisensorial lines. From this, the author draws from Ingold's “correspondence of lines” as a conception of music and a transformative compositional process, informing gestural line expressions and the development of notation systems for the body. The author outlines the technology he has developed for two compositions, involving a video scoring methodology and software that enables interactive video gestural sampling in a collaborative art music context. The author also engages with Ingold's concept of the “mesh,” as lines that overflow, and imagines how the mesh could be perceived through sensory modalities. This discourse of lines is contextualized through examples of absurdist instrumental pieces and corporeally based music.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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