对不同学科的学生进行建筑声学教学

D. Butko
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引用次数: 0

摘要

建筑和声学这两个词可能会让人联想到具有特定声学要求的建筑物或空间(如音乐厅、录音室、礼堂和图书馆)和/或设计专业人士,他们的职业生涯都专注于这个主题。然而,这只是一个开始,本文解释了通过讨论、课程、作业、实地考察和项目,向不同背景和研究领域的学生介绍各种建筑的听觉方面和形式的方法。你有没有注意到“听觉”这个词在建筑学上的字面意思?这个词的开头和结尾表达了本文的全部观点:建筑与建筑环境的听觉融合。我问学生:“都是听觉的吗?”慢慢地说,文字游戏开始讨论需要听觉关注的建筑类型。复合的答案是显而易见的:建筑环境的各个方面都有听觉的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Teaching Architectural Acoustics to Students of Various Disciplines
Introduction The words architectural and acoustics perhaps conjure thoughts of buildings or spaces with specific acoustic requirements (such as music halls, recording studios, auditoriums, and libraries) and/or the design professionals who have spent their careers focused on the topic. However, this is just the beginning, and this article explains the methods of introducing students of various backgrounds and areas of study to the aural aspects of various occupancies and forms of architecture through discussions, lessons, assignments, field trips, and projects. Have you ever noticed that the word aural is literally in architectural? The actual beginning and end of the word spell out the entire point of this article: the integration of the aural in architecture and the built environment. I ask students, “Are all aural?” Say it slowly, and the play on words begins a discussion of building types that require acoustical attention. The compound answer becomes evident: all aspects of the built environment have an aural component.
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