{"title":"“闭嘴!”音乐号角的静音","authors":"M. Campbell","doi":"10.1121/AT.2021.17.2.13","DOIUrl":null,"url":null,"abstract":"Introduction “Take the A Train” was first recorded by Duke Ellington and his orchestra in January 1941 and rapidly became the signature tune of this famous swing band. The recording (which can be heard at bit.ly/3pr3g7e), features two solos improvised by trumpeter Ray Nance. In the first solo, which starts around 50 seconds into the recording, Nance conjures a thin, edgy sound quality from his instrument; in the second solo, beginning at 1 minute 50 seconds, the full brassy brilliance of the trumpet is unleashed. How was this remarkable transformation of timbre achieved?","PeriodicalId":72046,"journal":{"name":"Acoustics today","volume":"41 1","pages":"13"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Put a Sock in It!” Mutes for Musical Horns\",\"authors\":\"M. Campbell\",\"doi\":\"10.1121/AT.2021.17.2.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Introduction “Take the A Train” was first recorded by Duke Ellington and his orchestra in January 1941 and rapidly became the signature tune of this famous swing band. The recording (which can be heard at bit.ly/3pr3g7e), features two solos improvised by trumpeter Ray Nance. In the first solo, which starts around 50 seconds into the recording, Nance conjures a thin, edgy sound quality from his instrument; in the second solo, beginning at 1 minute 50 seconds, the full brassy brilliance of the trumpet is unleashed. How was this remarkable transformation of timbre achieved?\",\"PeriodicalId\":72046,\"journal\":{\"name\":\"Acoustics today\",\"volume\":\"41 1\",\"pages\":\"13\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acoustics today\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1121/AT.2021.17.2.13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acoustics today","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1121/AT.2021.17.2.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《Take the A Train》由艾灵顿公爵和他的管弦乐队于1941年1月首次录制,并迅速成为这支著名摇摆乐队的标志性曲目。该录音(可以在bit.ly/3pr3g7e上听到)以小号手雷·南斯(Ray Nance)即兴创作的两首独奏为特色。在录音开始50秒左右的第一个独奏中,南斯从他的乐器中召唤出一种纤细、尖锐的音质;在第二次独奏中,从1分50秒开始,小号的铜管演奏的光辉被释放出来。这种非凡的音色变化是如何实现的?
Introduction “Take the A Train” was first recorded by Duke Ellington and his orchestra in January 1941 and rapidly became the signature tune of this famous swing band. The recording (which can be heard at bit.ly/3pr3g7e), features two solos improvised by trumpeter Ray Nance. In the first solo, which starts around 50 seconds into the recording, Nance conjures a thin, edgy sound quality from his instrument; in the second solo, beginning at 1 minute 50 seconds, the full brassy brilliance of the trumpet is unleashed. How was this remarkable transformation of timbre achieved?