{"title":"感知审美属性","authors":"A. Voltolini","doi":"10.1093/aesthj/ayac039","DOIUrl":null,"url":null,"abstract":"In this paper, I want to claim that, in conformity with overall intuitions, there are some aesthetic properties that are perceivable. For they are high-level properties that are not only grasped immediately, but also attended to holistically—just like the grouping properties they depend on and that are responsible for the Gestalt effects or switches through which they are grasped. Yet, unlike such grouping properties, they are holistically attended to in a disinterested modality, where objects and their properties are regarded for their own sake.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":"152 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2023-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Perceiving Aesthetic Properties\",\"authors\":\"A. Voltolini\",\"doi\":\"10.1093/aesthj/ayac039\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, I want to claim that, in conformity with overall intuitions, there are some aesthetic properties that are perceivable. For they are high-level properties that are not only grasped immediately, but also attended to holistically—just like the grouping properties they depend on and that are responsible for the Gestalt effects or switches through which they are grasped. Yet, unlike such grouping properties, they are holistically attended to in a disinterested modality, where objects and their properties are regarded for their own sake.\",\"PeriodicalId\":46609,\"journal\":{\"name\":\"BRITISH JOURNAL OF AESTHETICS\",\"volume\":\"152 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-05-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BRITISH JOURNAL OF AESTHETICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/aesthj/ayac039\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BRITISH JOURNAL OF AESTHETICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/aesthj/ayac039","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
In this paper, I want to claim that, in conformity with overall intuitions, there are some aesthetic properties that are perceivable. For they are high-level properties that are not only grasped immediately, but also attended to holistically—just like the grouping properties they depend on and that are responsible for the Gestalt effects or switches through which they are grasped. Yet, unlike such grouping properties, they are holistically attended to in a disinterested modality, where objects and their properties are regarded for their own sake.
期刊介绍:
Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.