建立南非高等教育阶段音乐家职业健康教育模式

IF 0.4 0 MUSIC
Bridget Rennie-Salonen, F. D. de Villiers
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引用次数: 6

摘要

音乐家与表演相关的疼痛和损伤的高统计数据有很好的记录。研究表明,高等教育音乐家的职业健康教育势在必行,国际上越来越多的机构正在积极地将创新的预防教育计划纳入他们的课程。然而,南非大学的任何音乐系都没有开设关于音乐家健康的课程。本文将以表演艺术医学教育专家Judy Palac的研究为基础,探讨音乐家职业健康教育的模式。她的音乐家健康干预的协作和相互依赖模式有三个组成部分:卫生专业人员诊断和治疗与音乐有关的身体或心理障碍的音乐家;音乐教师提供以健全的音乐、心理和生物力学原理为基础的教学法;运动和躯体专家在音乐制作中提供身体知识。我们的目的是证明这一框架如何适用于南非。对南非可能的执行战略提出了简要建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards a model for musicians’ occupational health education at tertiary level in South Africa
ABSTRACT The high statistics of musicians’ performance-related pain and injury are well documented. Research shows that tertiary level musicians’ occupational health education is imperative, and internationally more and more institutions are proactively incorporating innovative preventative educational programmes as part of their coursework. However, there are no courses in musicians’ health offered in any of the music departments of South African universities. In this article we will explore a model towards musicians’ occupational health education, based on the research done by Judy Palac, a specialist in performing arts medicine education. Her collaborative and interdependent model for a musicians’ health intervention has three components: health professionals diagnose and treat musicians with music-related physical or psychological disorders; music teachers provide pedagogy that is founded on sound musical, psychological and biomechanical principles; movement and somatic specialists provide knowledge of the body in music making. Our aim is to demonstrate how this framework is applicable in South Africa. Brief recommendations for possible implementation strategies in the South African context are made.
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CiteScore
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