《我们要回家了:黑脚文化自信的遣返和恢复》,Gerald T. Conaty编辑,280页。阿萨巴斯卡大学出版社,埃德蒙顿,AB. 2015。ISBN-13: 978 - 1771990172。

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY
Ashleigh Breske
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引用次数: 0

摘要

关于这项工作。从《博物馆评论》到《批判博物馆》,这本书既深思熟虑又富有挑战性,有时令人震惊,但却不失理性和尊重。其中的思想对许多博物馆来说很难采用,但至少值得我们考虑。无论一个人在社会问题上的立场如何,没有一个诚实的博物馆专业人士会质疑作者的主要观点:任何博物馆的中立光环充其量只是一种伪装,当博物馆对自己和赞助人诚实地面对自己的局限性和偏见,并准备重新考虑它们时,博物馆就能更好地为公众服务。这项工作,虽然不正统,值得在每一个博物馆专业人士的架子上占有一席之地,他们把尽可能有效和合乎道德地为公众服务作为压倒一切的目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
We Are Coming Home: Repatriation and the Restoration of Blackfoot Cultural Confidence, edited by Gerald T. Conaty. 280 pp. Athabasca University Press, Edmonton, AB. 2015. ISBN-13: 978-1771990172.
of this work. From Museum Critique to Critical Museum is simultaneously thoughtful and challenging, sometimes shocking, but well-reasoned and respectful. The ideas within it will be difficult for many museums to adopt, but they are at the very least worthy of our consideration. Regardless of one’s stance on social issues, no honest museum professional can dispute the authors’ main point: that any museum’s aura of neutrality is at best a façade and that museums stand to better serve the public when they are honest with themselves and their patrons about their own limitations and biases and are prepared to reconsider them. This work, while unorthodox, deserves a place on the shelf of every museum professional who holds serving the public as effectively and ethically as possible as an overriding objective.
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