客座编辑的结论

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY
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引用次数: 0

摘要

科学博物馆参与社区活动,教育公众了解科学的过程。在这个角色中,博物馆展示了当前科学信息的最佳共识,使其能够为广泛的观众所接受。在最好的情况下,博物馆不是静态的关注:它们积极参与社区,寻求社区对其项目和计划的投入,并与学校和其他教育机构和科学家合作。在互联网上,最好和最差的科学发现混杂在一起,用户必须依靠自己的判断来评估信息的有效性。另一方面,科学博物馆的权威来自其审查过程的完整性。因为他们提供的信息被认为是经过一系列专家和教育工作者的评估和认可的,所以公众对其质量和有效性有很高的信心。正如医生斯图尔特·弗林(Stuart Flynn)指出的,博物馆是公众信任的为数不多的能帮助他们了解现代医学的机构之一。令人高兴的是,这种对博物馆的看法在很大程度上是正确的。但它也被理想化了,博物馆在努力做到有教育意义、与时俱进和值得信赖的过程中,面临着几个关键的困境。博物馆面临的挑战既有外部环境的驱动,也有内部环境的驱动。例如,博物馆可能会花几个月甚至几年的时间来开发可能会向公众展示几十年的展品。然而,科学信息变化很快,所以昨天准确的信息可能会被明天更新的信息所取代。此外,创建展览的资金通常无法用于以后的修订。科学博物馆也努力在他们的社区中产生持久的积极影响,因此他们通常不愿意创建参观者、资助者和工作人员无法接受的主题的展览和项目,这是可以理解的。通过将社区意见纳入展览和项目,博物馆可以探索呈现有争议内容的方式,但并非所有宗教和文化分歧都可以完全解决。一些博物馆被视为现代社会交流和学习的理想模式,通过学习研究和评估不断提高其有效性。然而,在实践中,不同的博物馆在如何将有效的教学技术纳入其展览和项目方面存在很大差异。本刊的文章提出了博物馆在教育公众了解健康和生物医学方面有影响的进展方面发挥核心作用的挑战和机遇。理想情况下,科学博物馆应该突破界限,帮助参观者讨论和辩论那些可能难以理解和接受,但对公众健康和福祉至关重要的生物医学问题。《卫生保健经济学、原位基因组编辑新方法、非洲青少年艾滋病、转基因植物、气候变化对传染病发病率的影响、基于种族和性的卫生保健歧视》,Vol. 11 No. 1, 2016年4月,93-94
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conclusions from the Guest Editors
Science museums engage with their communities and educate the public about the process of science. In this role, museums present the best consensus of current scientific information, making it accessible to a wide range of audiences. At their best, museums are not static concerns: they actively participate within their communities, seek community input on their programs and plans, and collaborate with schools and other educational institutions and scientists. On the internet, where the best and the worst scientific findings are intermingled, users must rely on their own judgment to assess the validity of information. The authority of science museums, on the other hand, derives from the integrity of their vetting process. Because the information they present is presumed to have been evaluated and approved by a range of experts and educators, the public has a high confidence in its quality and validity. As physician Stuart Flynn points out, museums are one of few institutions that the public trusts to help them understand modern medicine. Happily, this view of museums is largely correct. But it is also idealized, and there are several key dilemmas museums face in the effort to be educational, current, and trustworthy. The challenges faced by museums are driven by external as well as internal circumstances. For example, museums may spend months or even years developing exhibits that may be displayed to the public for decades. Scientific information, however, changes rapidly, so what was accurate yesterday may be superseded by newer information tomorrow. Furthermore, funding for the creation of an exhibition is usually not available for later revisions. Science museums also strive to be enduringly positive influences in their communities, so that they are often understandably reluctant to create exhibitions and programs on topics unacceptable to visitors, funders, and staff. By incorporating community input into exhibitions and programs, museums can explore ways of presenting controversial content, but not all religious and cultural disagreements can be fully resolved. Some museums are viewed as ideal models for how to communicate and learn in modern society, constantly improving their effectiveness through learning research and evaluation. In practice, however, there is wide variation in how well different museums incorporate effective teaching techniques into their exhibits and programs. The articles presented in this issue present both the challenges and the opportunities for museums to play a central role in educating the public about influential advances in health and biomedicine. Ideally, science museums should push boundaries that help visitors discuss and debate biomedical issues that may be difficult to understand and accept, but are crucial to public health and well-being. The economics of health care, new ways of editing genomes in situ, AIDS amongst teens in Africa, genetically modified plants, the influence of climate change on the incidence of infectious disease, discrimination in health care based on ethnicity and sexual museums & social issues, Vol. 11 No. 1, April, 2016, 93–94
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