Aksharas, alphasylablabes, abugidas,字母表和正字法深度:对Rimzhim, Katz和Fowler的反思(2014)

Q1 Arts and Humanities
D. Share, P. Daniels
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引用次数: 66

摘要

我们认为,与Rimzhim, Katz和Fowler(2014)相反,婆罗门衍生文字中的辅音和元音并不是“同等的”,因此,将这些文字描述为字母是不准确的。此外,我们认为流行的术语“alphasyllabic”是误导,因为这些脚本既不是字母也不是音节。我们从历史的角度认为,婆罗门衍生的文字(被称为印度语的文字家族)属于他们自己的类别,值得一个独特的描述,如“abugida”。我们还认为作者的正字法深度概念在欧洲字母的背景之外是有问题的,因为正字法深度跨越世界上所有的书写系统是多维的,而不是单维的。我们建议至少需要10个正字法深度(或复杂性)维度来捕捉书写系统的多样性。最后,我们简要讨论了文字系统分类和错误分类的一些教育意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aksharas, alphasyllabaries, abugidas, alphabets and orthographic depth: Reflections on Rimzhim, Katz and Fowler (2014)
We contend that, contrary to Rimzhim, Katz and Fowler (2014), consonants and vowels in the Brahmi-derived scripts are not “on a par”, and, therefore, that it is inaccurate to depict these scripts as alphabetic. Furthermore, we consider the popular terminology “alphasyllabic” to be misleading because these scripts are neither alphabetic nor syllabic. We argue on historical grounds that Brahmi-derived scripts (the script family known as Indic) are in a category of their own and merit a unique descriptor such as “abugida”. We also consider the authors’ concept of orthographic depth to be problematic outside the context of European alphabets because orthographic depth across the full spectrum of the world's writing systems is multi-dimensional rather than uni-dimensional. We suggest that at least 10 dimensions of orthographic depth (or complexity) are needed to capture writing system diversity. Finally, we briefly discuss some educational implications of classification and mis-classification of writing systems.
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来源期刊
Writing Systems Research
Writing Systems Research Arts and Humanities-Language and Linguistics
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