危机中的设计:新的世界、哲学和观点

IF 0.7 3区 艺术学 0 ART
Dan Vlahos
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引用次数: 0

摘要

办公室和由排他性、歧视性和高度保密的企业文化形成的真实组织”(166)。在过去的50年里,开放式办公室的设计在标准、可访问性、规范和指导方针方面都有了改进,以保证办公室工作人员的安全、高效和健康;但考夫曼-布勒坚持认为,企业在欣赏个性和适应多样化需求方面还有很长的路要走,这一点是正确的。只有当他们的创造者承认歧视和不平等的真正问题根植于组织文化中,并通过办公室设计的迭代得到加强和再现,开放式办公室才能得到改善。设计史将受益于更多的历史,就像这本书一样,承认人们复杂的生活经历,有时是充满标志性的、著名的设计经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design in Crisis: New Worlds, Philosophies, and Perspectives
office and the real organizations shaped by an exclusionary, discriminatory, and highly secretive corporate culture” (166). In the past fifty years, designs for open offices have improved in terms of standards, accessibility, codes, and guidelines to keep office workers safe, productive, and well; but Kaufmann-Buhler is right in her insistence that organizations have a long way to go in appreciating individuality and accommodating diverse needs. Open plan offices can improve only if their creators acknowledge the real problems of discrimination and inequality that are embedded in organizational culture and reinforced and reproduced through the iterations of office design. Design history will benefit from more histories that, like this one, acknowledge peoples’ complex lived and sometimes fraught experiences with iconic, celebrated designs.
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
34
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