在拉希德·布查雷的电影中追溯恐怖主义的历史:《伦敦河》(2009)、《尸河》(2010)和《伊斯坦布尔之路》(2016)

Ipek A Celik Rappas
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摘要

本文考察了拉希德·布查雷布的《伦敦河》、《爱之路》和《伊斯坦布尔之路》。三部曲探讨了恐怖主义的多种形式,从20世纪的反殖民主义、民族主义到国家恐怖主义和圣战恐怖主义。Hors la loi是反殖民主义阿尔及利亚恐怖主义的叙述,揭露了法律之外的并列意义-作为不公正的殖民法律的受害者和作为利用受害者身份作为武器的策略。另一方面,《伦敦河》和《伊斯坦布尔之路》聚焦于政治中立父母的悲痛,却没有探究圣战恐怖主义的起源和原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tracing a history of terrorism in Rachid Bouchareb’s films: London River (2009), Hors la loi (2010) and La Route d’Istanbul (2016)
Abstract This article examines Rachid Bouchareb’s London River, Hors la loi and La Route d’Istanbul. The trilogy explores terrorism’s many forms that range from anti-colonial and ethno-national to state and jihadist terror in the twentieth century. Hors la loi, a narrative of anti-colonial Algerian terrorism, exposes the juxtaposing meanings of being outside the law – as victims of the unjust colonial law and as a strategy to use victimhood as a weapon. London River and La Route d’Istanbul, on the other hand, by focusing on the grief of politically neutral parents, leave the origins and causes of jihadist terrorism unexplored.
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来源期刊
Studies in French Cinema
Studies in French Cinema FILM, RADIO, TELEVISION-
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