来自意大利的图片:狄更斯的自拍和维多利亚式巴洛克风格

Q2 Arts and Humanities

Studies in Travel Writing Pub Date : 2020-07-02 DOI:10.1080/13645145.2021.1919434

F. Orestano

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引用次数: 0

摘要

本文通过分析旅行小说的历史、传统和地位，重点阐述了狄更斯在《意大利的图画》(1846)中对旅行小说的独特的背离。这本书自称是旅行书中的一个例外，在某种程度上，用今天的说法，狄更斯立即热衷于通过光学技术的代码增强视觉印象;他的观点，明喻，类比，不断地把读者带回英国和他自己。这种转移话题性的策略影响了狄更斯对意大利的描绘，因为它可能会产生一种迟来的震惊，当英国的情况在后来的几年里与意大利有相似之处，并且在意大利和英国都出现了巴洛克式的例外。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Pictures From Italy: Dickens’s selfie and Victorian baroque

ABSTRACT By analysing the history, conventions, and status of the travel book as a genre, this article highlights Dickens’s inimitable departures from its acknowledged form in Pictures from Italy (1846). This text purports to be an exception among travel books, to the extent that in today’s parlance Dickens is at once keen on visual impressions enhanced by the codes of optical technology; his viewpoint, similes, analogies, send the reader constantly back to England and himself. Such a strategy of displaced topicality affects Dickens’s portrayal of Italy, as it is likely to produce a belated shock of recognition when the condition of England, in later years, suggests similarities with Italy and with the rule of Baroque exceptions occurring in Italy as well as in England.

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来源期刊

Studies in Travel Writing Arts and Humanities-Literature and Literary Theory

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Founded in 1997 by Tim Youngs, Studies in Travel Writing is an international, refereed journal dedicated to research on travel texts and to scholarly approaches to them. Unrestricted by period or region of study, the journal allows for specific contexts of travel writing to be established and for the application of a range of scholarly and critical approaches. It welcomes contributions from within, between or across academic disciplines; from senior scholars and from those at the start of their careers. It also publishes original interviews with travel writers, special themed issues, and book reviews.