{"title":"宣传影片","authors":"Matthew D Johnson","doi":"10.1080/17508061.2016.1144704","DOIUrl":null,"url":null,"abstract":"Asia, edited by M. Iwatake, 174 205. Helsinki: Department of World Cultures, University of Helsinki). Given their relative newness, it remains to be seen how much Chinese cinemas have impacted these alternative global networks of thematic festivals, just as it is unclear whether or not alternative festivals over time will come resemble international film festivals more, not less. To wit, when it comes to Chinese cinema and film festivals, there are still more questions than answers out there.","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"13 1","pages":"17 - 20"},"PeriodicalIF":0.4000,"publicationDate":"2016-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17508061.2016.1144704","citationCount":"0","resultStr":"{\"title\":\"Propaganda film\",\"authors\":\"Matthew D Johnson\",\"doi\":\"10.1080/17508061.2016.1144704\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Asia, edited by M. Iwatake, 174 205. Helsinki: Department of World Cultures, University of Helsinki). Given their relative newness, it remains to be seen how much Chinese cinemas have impacted these alternative global networks of thematic festivals, just as it is unclear whether or not alternative festivals over time will come resemble international film festivals more, not less. To wit, when it comes to Chinese cinema and film festivals, there are still more questions than answers out there.\",\"PeriodicalId\":43535,\"journal\":{\"name\":\"Journal of Chinese Cinemas\",\"volume\":\"13 1\",\"pages\":\"17 - 20\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2016-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17508061.2016.1144704\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17508061.2016.1144704\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2016.1144704","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Asia, edited by M. Iwatake, 174 205. Helsinki: Department of World Cultures, University of Helsinki). Given their relative newness, it remains to be seen how much Chinese cinemas have impacted these alternative global networks of thematic festivals, just as it is unclear whether or not alternative festivals over time will come resemble international film festivals more, not less. To wit, when it comes to Chinese cinema and film festivals, there are still more questions than answers out there.
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