欲望,满足和时刻:对霍华德·斯坎普顿音乐中重复角色的音乐分析和心理调查,以及作曲家的回应

IF 1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES
Esther Cavett
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引用次数: 2

摘要

英国实验作曲家霍华德·斯坎普顿(Howard Skempton)的音乐被形容为出奇的简单,因为他的音乐既有明显的质朴,又有微妙的感觉。从音乐和情感的基础和最新的心理学研究中,卡维特探索了斯坎普顿大约140个钢琴微缩模型中的代表性例子,这些微缩模型从20世纪60年代的学生时代一直写到今年。她提出,Skempton的音乐创造了一种期待感,从而通过创造模式重复而产生欲望,这种重复被打乱了,只是后来被重新参与,创造了满足感和一种“在当下”的感觉。斯坎普顿随后回应了卡维特对他的音乐的解释,从他独特的角度来看,作为创作者的曲目正在考虑回顾他的创作生涯的轨迹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Desire, gratification and the moment: a music analytical and psychological enquiry into the role of repetition in the music of Howard Skempton, with a response by the composer
ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.
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来源期刊
Interdisciplinary Science Reviews
Interdisciplinary Science Reviews 综合性期刊-综合性期刊
CiteScore
2.30
自引率
9.10%
发文量
20
审稿时长
>12 weeks
期刊介绍: Interdisciplinary Science Reviews is a quarterly journal that aims to explore the social, philosophical and historical interrelations of the natural sciences, engineering, mathematics, medicine and technology with the social sciences, humanities and arts.
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