{"title":"欲望,满足和时刻:对霍华德·斯坎普顿音乐中重复角色的音乐分析和心理调查,以及作曲家的回应","authors":"Esther Cavett","doi":"10.1080/03080188.2022.2035100","DOIUrl":null,"url":null,"abstract":"ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Desire, gratification and the moment: a music analytical and psychological enquiry into the role of repetition in the music of Howard Skempton, with a response by the composer\",\"authors\":\"Esther Cavett\",\"doi\":\"10.1080/03080188.2022.2035100\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.\",\"PeriodicalId\":50352,\"journal\":{\"name\":\"Interdisciplinary Science Reviews\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interdisciplinary Science Reviews\",\"FirstCategoryId\":\"103\",\"ListUrlMain\":\"https://doi.org/10.1080/03080188.2022.2035100\",\"RegionNum\":4,\"RegionCategory\":\"综合性期刊\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"MULTIDISCIPLINARY SCIENCES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interdisciplinary Science Reviews","FirstCategoryId":"103","ListUrlMain":"https://doi.org/10.1080/03080188.2022.2035100","RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"MULTIDISCIPLINARY SCIENCES","Score":null,"Total":0}
Desire, gratification and the moment: a music analytical and psychological enquiry into the role of repetition in the music of Howard Skempton, with a response by the composer
ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.
期刊介绍:
Interdisciplinary Science Reviews is a quarterly journal that aims to explore the social, philosophical and historical interrelations of the natural sciences, engineering, mathematics, medicine and technology with the social sciences, humanities and arts.