{"title":"走向全球音乐理论:跨人类文化音乐分析的实践概念和方法","authors":"D. Collins","doi":"10.1080/08145857.2016.1239244","DOIUrl":null,"url":null,"abstract":"In Towards a Global Music Theory, Mark Hijleh presents a method for analysing examples of repertoire from across any of the world’s musical cultures. Although he acknowledges that he is not presenting a theory for all music, he asserts that his method adopts a practical approach which can offer insights into very different kinds of music and can also capture commonalities between seemingly diverse examples. He claims that","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"53 1","pages":"194 - 197"},"PeriodicalIF":0.3000,"publicationDate":"2016-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2016.1239244","citationCount":"1","resultStr":"{\"title\":\"Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures\",\"authors\":\"D. Collins\",\"doi\":\"10.1080/08145857.2016.1239244\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Towards a Global Music Theory, Mark Hijleh presents a method for analysing examples of repertoire from across any of the world’s musical cultures. Although he acknowledges that he is not presenting a theory for all music, he asserts that his method adopts a practical approach which can offer insights into very different kinds of music and can also capture commonalities between seemingly diverse examples. He claims that\",\"PeriodicalId\":41713,\"journal\":{\"name\":\"Musicology Australia\",\"volume\":\"53 1\",\"pages\":\"194 - 197\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2016-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/08145857.2016.1239244\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musicology Australia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08145857.2016.1239244\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicology Australia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08145857.2016.1239244","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures
In Towards a Global Music Theory, Mark Hijleh presents a method for analysing examples of repertoire from across any of the world’s musical cultures. Although he acknowledges that he is not presenting a theory for all music, he asserts that his method adopts a practical approach which can offer insights into very different kinds of music and can also capture commonalities between seemingly diverse examples. He claims that
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