生者有声音;死者沉默

Q3 Arts and Humanities

Anthropology and Archeology of Eurasia Pub Date : 2016-01-02 DOI:10.1080/10611959.2016.1263485

O. Dobzhanskaya

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引用次数: 1

摘要

这篇文章将音乐作为一种世界观范畴，与北极欧亚大陆上数量不多的土著民族的仪式、传统信仰、概念和生活方式联系起来。本文的讨论主要基于作者从20世纪80年代开始在泰米尔半岛进行的实地研究的材料。这项对萨莫代人健全文化的研究结合了民族学家和艺术史学家的作品，以及来自其他学科的北方研究人员的作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Living Has Sound; The Dead Is Silent

The article examines musical sound as a worldview category connected with rituals, traditional beliefs, concepts, and life styles of the indigenous, numerically small peoples of Arctic Eurasia. The discussion is based primarily on materials from the author’s field research, begun on the Taimyr Peninsula in the 1980s. This study of the sound culture of Samodeic [Samoyedic] peoples incorporates works of ethnographers and art historians, as well as northern studies researchers from other disciplines.

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来源期刊

Anthropology and Archeology of Eurasia Arts and Humanities-History

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期刊介绍： Anthropology and Archeology of Eurasia presents scholarship from Russia, Siberia, the Caucasus, and Central Asia, the vast region that stretches from the Baltic to the Black Sea and from Lake Baikal to the Bering Strait. Each thematic issue, with a substantive introduction to the topic by the editor, features expertly translated and annotated manuscripts, articles, and book excerpts reporting fieldwork from every part of the region and theoretical studies on topics of special interest.