{"title":"幸存:保罗·马尔登《在黑马的标志下,1999年9月》中的叶芝元素","authors":"Wit Píetrzak","doi":"10.1075/ETC.8.2.02PIE","DOIUrl":null,"url":null,"abstract":"I trace Paul Muldoon’s borrowing from Yeats’s “A Prayer for My Daughter” along with some other intertextual references in “At the Sign of the Black Horse, September 1999” (Moy Sand and Gravel) with a view to demonstrating that Muldoon’s poem represents both a challenge to Yeats’s political ideas and acceptance of his aesthetics of vacillation. Subscribing to the idea that poetry may be a sort of protective charm against the evils of the world, Muldoon discovers a reassuring strength in the moments when Yeats sheds his mask of a lofty mage.","PeriodicalId":42970,"journal":{"name":"English Text Construction","volume":"8 1","pages":"177-193"},"PeriodicalIF":0.2000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Survivals: The Yeatsian element in Paul Muldoon’s “At the Sign of the Black Horse, September 1999”\",\"authors\":\"Wit Píetrzak\",\"doi\":\"10.1075/ETC.8.2.02PIE\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"I trace Paul Muldoon’s borrowing from Yeats’s “A Prayer for My Daughter” along with some other intertextual references in “At the Sign of the Black Horse, September 1999” (Moy Sand and Gravel) with a view to demonstrating that Muldoon’s poem represents both a challenge to Yeats’s political ideas and acceptance of his aesthetics of vacillation. Subscribing to the idea that poetry may be a sort of protective charm against the evils of the world, Muldoon discovers a reassuring strength in the moments when Yeats sheds his mask of a lofty mage.\",\"PeriodicalId\":42970,\"journal\":{\"name\":\"English Text Construction\",\"volume\":\"8 1\",\"pages\":\"177-193\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"English Text Construction\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1075/ETC.8.2.02PIE\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Text Construction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/ETC.8.2.02PIE","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 1
摘要
我在《1999年9月,在黑马的标志上》(Moy Sand and Gravel)中找到了保罗·马尔登对叶芝《为我女儿祈祷》的借用,以及其他一些互文引用,以证明马尔登的诗既代表了对叶芝政治思想的挑战,也代表了对他摇摆美学的接受。马尔登赞同这样一种观点,即诗歌可能是一种抵御世界邪恶的保护魅力,在叶芝摘下崇高法师的面具时,他发现了一种令人安心的力量。
Survivals: The Yeatsian element in Paul Muldoon’s “At the Sign of the Black Horse, September 1999”
I trace Paul Muldoon’s borrowing from Yeats’s “A Prayer for My Daughter” along with some other intertextual references in “At the Sign of the Black Horse, September 1999” (Moy Sand and Gravel) with a view to demonstrating that Muldoon’s poem represents both a challenge to Yeats’s political ideas and acceptance of his aesthetics of vacillation. Subscribing to the idea that poetry may be a sort of protective charm against the evils of the world, Muldoon discovers a reassuring strength in the moments when Yeats sheds his mask of a lofty mage.