社会生态转型的艺术

H. Hawkins, S. Marston, Mrill Ingram, Elizabeth R. Straughan
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引用次数: 43

摘要

本文使用两个艺术案例研究,Bird Yarns(一个参与气候变化问题的编织集体)和SLOW Cleanup(一个由艺术家推动的环境修复项目)来研究艺术在社会生态转型方面所能做的“工作”。面对人类世的环境和社会不确定性带来的挑战,我们在地理学最近对“积极实验和预期干预”的兴趣的背景下考虑这些案例。关于这些问题,我们提出了艺术力量的两个维度。首先,它提供了一个场所和一套实践,科学家、艺术家和社区可以从中认识到并改变人类和非人类之间的关系。其次,它鼓励对具有政治和知识生产含义的物质和事物的本构力进行核算。通过这两个维度,我们探索艺术如何能够实现社会生态转型的形式,进一步,未来的事情可能会有什么不同,使我们能够探索谁和什么可能在定义和走向这样一个未来中发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Art of Socioecological Transformation
This article uses two artistic case studies, Bird Yarns (a knitting collective engaging questions of climate change) and SLOW Cleanup (an artist-driven environmental remediation project) to examine the “work” art can do with respect to socioecological transformations. We consider these cases in the context of geography's recent interest in “active experimentations and anticipatory interventions” in the face of the challenges posed by the environmental and social uncertainties of the Anthropocene. We propose two dimensions to the force of art with respect to these concerns. First, it provides a site and set of practices from which scientists, artists, and communities can come to recognize as well as transform relations between humans and nonhumans. Second, it encourages an accounting of the constitutive force of matter and things with implications for politics and knowledge production. Through these two dimensions, we explore how the arts can enable forms of socioecological transformation and, further, how things might be different in the future, enabling us to explore who and what might play a part in defining and moving toward such a future.
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