{"title":"这些过热的世界","authors":"K. Strauss","doi":"10.1080/00045608.2014.973805","DOIUrl":null,"url":null,"abstract":"In 2003 the British literary magazine Granta published an issue on climate change, “This Overheating World,” containing reportage and essays but almost no fiction—and the claim that our “failure of the imagination” regarding socioenvironmental change is both a political and a literary one. The decade since has seen a relative burgeoning of what has been dubbed “cli-fi,” dominated by apocalyptic and dystopian literary–geographical imaginations. In this article I ask this question: If these are our ways of imagining the future, what are the relationships among cultural imaginaries, theories, and politics of socioenvironmental change? Engaging the work of Frederic Jameson on utopia, and the novels of Margaret Atwood and Barbara Kingsolver, I argue that the flourishing interest in narrative, stories, and storytelling in human geography opens up opportunities for exploring political imaginaries of climate change through utopian and dystopian impulses present in its “fictionable worlds.”","PeriodicalId":80485,"journal":{"name":"Annals of the Association of American Geographers. Association of American Geographers","volume":"105 1","pages":"342 - 350"},"PeriodicalIF":0.0000,"publicationDate":"2015-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/00045608.2014.973805","citationCount":"21","resultStr":"{\"title\":\"These Overheating Worlds\",\"authors\":\"K. Strauss\",\"doi\":\"10.1080/00045608.2014.973805\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2003 the British literary magazine Granta published an issue on climate change, “This Overheating World,” containing reportage and essays but almost no fiction—and the claim that our “failure of the imagination” regarding socioenvironmental change is both a political and a literary one. The decade since has seen a relative burgeoning of what has been dubbed “cli-fi,” dominated by apocalyptic and dystopian literary–geographical imaginations. In this article I ask this question: If these are our ways of imagining the future, what are the relationships among cultural imaginaries, theories, and politics of socioenvironmental change? Engaging the work of Frederic Jameson on utopia, and the novels of Margaret Atwood and Barbara Kingsolver, I argue that the flourishing interest in narrative, stories, and storytelling in human geography opens up opportunities for exploring political imaginaries of climate change through utopian and dystopian impulses present in its “fictionable worlds.”\",\"PeriodicalId\":80485,\"journal\":{\"name\":\"Annals of the Association of American Geographers. Association of American Geographers\",\"volume\":\"105 1\",\"pages\":\"342 - 350\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/00045608.2014.973805\",\"citationCount\":\"21\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annals of the Association of American Geographers. Association of American Geographers\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00045608.2014.973805\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of the Association of American Geographers. Association of American Geographers","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00045608.2014.973805","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In 2003 the British literary magazine Granta published an issue on climate change, “This Overheating World,” containing reportage and essays but almost no fiction—and the claim that our “failure of the imagination” regarding socioenvironmental change is both a political and a literary one. The decade since has seen a relative burgeoning of what has been dubbed “cli-fi,” dominated by apocalyptic and dystopian literary–geographical imaginations. In this article I ask this question: If these are our ways of imagining the future, what are the relationships among cultural imaginaries, theories, and politics of socioenvironmental change? Engaging the work of Frederic Jameson on utopia, and the novels of Margaret Atwood and Barbara Kingsolver, I argue that the flourishing interest in narrative, stories, and storytelling in human geography opens up opportunities for exploring political imaginaries of climate change through utopian and dystopian impulses present in its “fictionable worlds.”