这些过热的世界

K. Strauss
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引用次数: 21

摘要

2003年,英国文学杂志《格兰塔》(Granta)发表了一期关于气候变化的文章《这个过热的世界》(This过热的世界),其中包括报告文学和散文,但几乎没有小说,并声称我们对社会环境变化的“想象力的失败”既是一个政治问题,也是一个文学问题。在那之后的十年里,被称为“气候变化小说”(climate -fi)的小说出现了相对迅速的发展,主要是关于世界末日和反乌托邦文学的地理想象。在这篇文章中,我提出了这样一个问题:如果这些是我们想象未来的方式,那么社会环境变化的文化想象、理论和政治之间的关系是什么?通过研读弗雷德里克·詹姆逊关于乌托邦的著作,以及玛格丽特·阿特伍德和芭芭拉·金索沃的小说,我认为,人们对人文地理学中叙事、故事和讲故事的浓厚兴趣,为通过“虚构世界”中乌托邦和反乌托邦的冲动,探索气候变化的政治想象提供了机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
These Overheating Worlds
In 2003 the British literary magazine Granta published an issue on climate change, “This Overheating World,” containing reportage and essays but almost no fiction—and the claim that our “failure of the imagination” regarding socioenvironmental change is both a political and a literary one. The decade since has seen a relative burgeoning of what has been dubbed “cli-fi,” dominated by apocalyptic and dystopian literary–geographical imaginations. In this article I ask this question: If these are our ways of imagining the future, what are the relationships among cultural imaginaries, theories, and politics of socioenvironmental change? Engaging the work of Frederic Jameson on utopia, and the novels of Margaret Atwood and Barbara Kingsolver, I argue that the flourishing interest in narrative, stories, and storytelling in human geography opens up opportunities for exploring political imaginaries of climate change through utopian and dystopian impulses present in its “fictionable worlds.”
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