红衣主教的音乐：教皇宫廷的音乐兴趣约1200–1304年

IF 0.2 1区艺术学 0 MUSIC

EARLY MUSIC HISTORY Pub Date : 2015-09-23 DOI:10.1017/S0261127915000054

J. Gardner

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引用次数: 1

摘要

在英诺森三世(1198-1216)和本笃十一世(1033-1304)之间的时期，教皇和红衣主教可以显示出广泛的音乐兴趣。教皇的清单、遗嘱遗产、编年史和未充分研究的视觉证据，使人们对音乐、礼仪和表演的生动而广泛的关注得以拼凑在一起。复调音乐的发展，钟声的日益流行，以及艺术家们在他们的教会客户的要求下对描绘礼拜仪式和音乐表演的浓厚兴趣，使我们能够形成一幅更细致入微的13世纪罗马音乐生活的画面。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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THE CARDINALS’ MUSIC: MUSICAL INTERESTS AT THE PAPAL CURIA C. 1200–1304

Abstract The papacy and cardinalate in the period between Innocent III (1198–1216) and Benedict XI (1033–1304) can be shown to have had a wide range of musical interests. Papal inventories, testamentary legacies, chronicles and understudied visual evidence allow the piecing together of a lively and wide-ranging concern with music, liturgy and performance. The development of polyphonic music, the growing popularity of bells, and a lively interest among artists in portraying liturgical ceremonies and musical performance at the behest of their ecclesiastical clientele allow us to form a far more nuanced picture of the musical life of thirteenth-century Rome.

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来源期刊

EARLY MUSIC HISTORY MUSIC-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.