纳瓦拉王后玛格丽特·德瓦卢瓦(1553-1615):女赞助人和演员

IF 0.2 1区 艺术学 0 MUSIC
M. McGowan
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引用次数: 0

摘要

本文研究了玛格丽特·德·瓦卢瓦从幼年到1615年去世在法国宫廷文化生活中所扮演的角色。玛格丽特接受了在公众场合表演的训练,掌握了语言和外交技巧,并特别培养了音乐和舞蹈。她对舞蹈的热情,以及她在表演中表现出的活力和精通,可以通过当代记录(法语、意大利语和英语)的见证,通过她自己的回忆,以及通过她对音乐家、诗人和舞者的赞助的讨论来追踪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MARGUERITE DE VALOIS, REINE DE NAVARRE (1553–1615): PATRONESS AND PERFORMER
Abstract This essay studies the role played by Marguerite de Valois in the cultural life of the French court from early childhood until her death in 1615. Trained to perform in public, Marguerite acquired languages and diplomatic skills, and cultivated music and dancing in particular. Her passion for dancing and the energy and mastery she displayed in performance is traced through the testimony of contemporary records (French, Italian and English), through her own recollections, and through a discussion of her patronage of musicians, poets and dancers.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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