音乐，瘟疫和两种设定的节奏塞巴斯蒂安

IF 0.2 1区艺术学 0 MUSIC

EARLY MUSIC HISTORY Pub Date : 2012-08-08 DOI:10.1017/S0261127912000022

Remi Chiu

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引用次数: 2

摘要

这篇文章探讨了音乐在中世纪晚期和文艺复兴时期对瘟疫的反应中的作用。根据医生的说法，仅仅是想到瘟疫就可能导致这种疾病;因此，他们规定了欢快的音乐，以分散思想从阴险的想象和抵消恐惧的有害影响。然而，音乐的处方并不是明确的。一些精神权威对音乐作为抗疫药物的作用持怀疑态度。这些相互竞争的话语为约翰内斯·马蒂尼和加斯帕尔·凡·韦尔贝克的《O beat Sebastiane》的设定提供了信息，这是向文艺复兴时期首要的瘟疫圣徒圣·塞巴斯蒂安请愿的颂歌，祈求上帝干预瘟疫。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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MUSIC, PESTILENCE AND TWO SETTINGS OF O BEATE SEBASTIANE

This essay examines the role of music in the late-medieval and Renaissance response to plague. According to doctors, the mere thought of plague could bring on the disease; they therefore prescribed joyful music to distract the mind from insidious imaginings and to counteract the harmful effects of fear. The prescription for music, however, was not unequivocal. Some spiritual authorities looked suspiciously upon music's role as anti-pestilential remedy. These competing discourses inform a reading of Johannes Martini's and Gaspar van Weerbeke's settings of O beate Sebastiane, motets that petition St Sebastian, the premier plague saint of the Renaissance, for divine intervention against pestilence.

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来源期刊

EARLY MUSIC HISTORY MUSIC-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.