小爱斯基摩和青铜时代

IF 0.5 3区 历史学 0 CLASSICS
E. Vermeule
{"title":"小爱斯基摩和青铜时代","authors":"E. Vermeule","doi":"10.1017/S006867350000496X","DOIUrl":null,"url":null,"abstract":"Greek poets and painters of all archaic and classical stages actively used the Bronze Age as their major medium of expression. Their plots are made of legends they attribute to Bronze Age places, their characters are heroes, often royal, who contest those places and thrones, and fight at home and overseas for small quantities of metals, horses, cattle, women. The heroic figures of the classical imagination, especially in tragedy, are isolated and highlighted before general backgrounds of palaces, battlefields, sacred shrines, altars and groves, or tombs. The characters often take on aspects that seem to emanate from these settings – kingly, quarrelsome, acquisitive, enemies or puppets of the gods, exposed to and angry at death. The heroes often seem like dead divinities, sentient watchers inside the earth, contemplating contemporary life, like Amphiaraos watching from some breathing cave near Harma in Boiotia, while an image of them is projected on the stage to walk and talk through their remembered, familiar pathea .","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"1 1","pages":"122-152"},"PeriodicalIF":0.5000,"publicationDate":"1987-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S006867350000496X","citationCount":"6","resultStr":"{\"title\":\"Baby Aigisthos and the Bronze Age\",\"authors\":\"E. Vermeule\",\"doi\":\"10.1017/S006867350000496X\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Greek poets and painters of all archaic and classical stages actively used the Bronze Age as their major medium of expression. Their plots are made of legends they attribute to Bronze Age places, their characters are heroes, often royal, who contest those places and thrones, and fight at home and overseas for small quantities of metals, horses, cattle, women. The heroic figures of the classical imagination, especially in tragedy, are isolated and highlighted before general backgrounds of palaces, battlefields, sacred shrines, altars and groves, or tombs. The characters often take on aspects that seem to emanate from these settings – kingly, quarrelsome, acquisitive, enemies or puppets of the gods, exposed to and angry at death. The heroes often seem like dead divinities, sentient watchers inside the earth, contemplating contemporary life, like Amphiaraos watching from some breathing cave near Harma in Boiotia, while an image of them is projected on the stage to walk and talk through their remembered, familiar pathea .\",\"PeriodicalId\":53950,\"journal\":{\"name\":\"Cambridge Classical Journal\",\"volume\":\"1 1\",\"pages\":\"122-152\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"1987-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S006867350000496X\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cambridge Classical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S006867350000496X\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cambridge Classical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S006867350000496X","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 6

摘要

所有古代和古典时期的希腊诗人和画家都积极地使用青铜时代作为他们主要的表达媒介。他们的情节是由青铜时代的传说组成的,他们的角色是英雄,通常是皇室成员,他们争夺这些地方和王位,在国内外为少量的金属,马,牛,女人而战。古典想象中的英雄人物,特别是悲剧中的英雄人物,在宫殿、战场、神龛、祭坛、树林或坟墓的一般背景之前是孤立和突出的。书中的人物往往表现出这些背景的特征——王权、争强好胜、贪得无厌、敌人或神的傀儡,面对死亡感到愤怒。这些英雄通常看起来像死去的神,是地球内部有知觉的观察者,思考着当代的生活,就像安菲阿拉奥斯(Amphiaraos)在波约亚(Boiotia)哈尔马(Harma)附近的某个呼吸洞穴里观察一样,他们的形象被投射在舞台上,在他们记忆中熟悉的悲惨经历中行走和交谈。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Baby Aigisthos and the Bronze Age
Greek poets and painters of all archaic and classical stages actively used the Bronze Age as their major medium of expression. Their plots are made of legends they attribute to Bronze Age places, their characters are heroes, often royal, who contest those places and thrones, and fight at home and overseas for small quantities of metals, horses, cattle, women. The heroic figures of the classical imagination, especially in tragedy, are isolated and highlighted before general backgrounds of palaces, battlefields, sacred shrines, altars and groves, or tombs. The characters often take on aspects that seem to emanate from these settings – kingly, quarrelsome, acquisitive, enemies or puppets of the gods, exposed to and angry at death. The heroes often seem like dead divinities, sentient watchers inside the earth, contemplating contemporary life, like Amphiaraos watching from some breathing cave near Harma in Boiotia, while an image of them is projected on the stage to walk and talk through their remembered, familiar pathea .
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.90
自引率
0.00%
发文量
13
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信