在风中扭曲的:古代不朽的风向标

IF 0.5 3区 历史学 0 CLASSICS
Dunstan Lowe
{"title":"在风中扭曲的:古代不朽的风向标","authors":"Dunstan Lowe","doi":"10.1017/S1750270516000099","DOIUrl":null,"url":null,"abstract":"Monumental weathervanes have been overlooked as a tiny but important genre of ancient bronze sculpture. This is the first collective study of all three definite examples: the so-called ‘triton’ on the Tower of the Winds in Athens, a copy of this somewhere in Rome, and the winged female ‘Anemodoulion’ on the Bronze Tetrapylon in Constantinople. I propose to identify the intended subjects of these sculptures as the weather-deities Aiolos and Iris, thereby restoring a part of each monument’s original meaning that was unknown to the authors of our ancient written accounts. I also suggest that monumental weathervanes were first invented in Hellenistic Alexandria, which may explain why the Tower of the Winds shared the octagonal design of the Pharos, and why the Anemodoulion was mounted upon a bronze pyramidion.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"62 1","pages":"147-169"},"PeriodicalIF":0.5000,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S1750270516000099","citationCount":"1","resultStr":"{\"title\":\"TWISTING IN THE WIND: MONUMENTAL WEATHERVANES IN CLASSICAL ANTIQUITY\",\"authors\":\"Dunstan Lowe\",\"doi\":\"10.1017/S1750270516000099\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Monumental weathervanes have been overlooked as a tiny but important genre of ancient bronze sculpture. This is the first collective study of all three definite examples: the so-called ‘triton’ on the Tower of the Winds in Athens, a copy of this somewhere in Rome, and the winged female ‘Anemodoulion’ on the Bronze Tetrapylon in Constantinople. I propose to identify the intended subjects of these sculptures as the weather-deities Aiolos and Iris, thereby restoring a part of each monument’s original meaning that was unknown to the authors of our ancient written accounts. I also suggest that monumental weathervanes were first invented in Hellenistic Alexandria, which may explain why the Tower of the Winds shared the octagonal design of the Pharos, and why the Anemodoulion was mounted upon a bronze pyramidion.\",\"PeriodicalId\":53950,\"journal\":{\"name\":\"Cambridge Classical Journal\",\"volume\":\"62 1\",\"pages\":\"147-169\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2016-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S1750270516000099\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cambridge Classical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1750270516000099\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cambridge Classical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1750270516000099","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 1

摘要

巨大的风向标作为一种微小但重要的古代青铜雕塑被忽视了。这是第一次对所有三个明确的例子进行集体研究:雅典风塔上所谓的“特里同”,罗马某处的复制品,以及君士坦丁堡青铜四柱塔上有翅膀的女性“阿尼莫多里昂”。我建议将这些雕塑的预定主题确定为气象之神艾奥洛斯和艾瑞斯,从而恢复每个纪念碑的部分原始含义,这是我们古代书面记录的作者所不知道的。我还认为,巨大的风向标最早是在希腊化的亚历山大港发明的,这也许可以解释为什么风之塔和法罗斯一样有八角形的设计,以及为什么风之塔被安装在青铜金字塔上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TWISTING IN THE WIND: MONUMENTAL WEATHERVANES IN CLASSICAL ANTIQUITY
Monumental weathervanes have been overlooked as a tiny but important genre of ancient bronze sculpture. This is the first collective study of all three definite examples: the so-called ‘triton’ on the Tower of the Winds in Athens, a copy of this somewhere in Rome, and the winged female ‘Anemodoulion’ on the Bronze Tetrapylon in Constantinople. I propose to identify the intended subjects of these sculptures as the weather-deities Aiolos and Iris, thereby restoring a part of each monument’s original meaning that was unknown to the authors of our ancient written accounts. I also suggest that monumental weathervanes were first invented in Hellenistic Alexandria, which may explain why the Tower of the Winds shared the octagonal design of the Pharos, and why the Anemodoulion was mounted upon a bronze pyramidion.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.90
自引率
0.00%
发文量
13
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信