{"title":"有问题的现实主义:通过“幽灵纹理”直面殖民主义视角并介入复杂的景观","authors":"Aidan Ackerman;Christopher Koudelka;Paul Hirsch;Owen Zaengle","doi":"10.1162/pres_a_00370","DOIUrl":null,"url":null,"abstract":"Abstract Realistic virtual reality visualizations of a physical place, whether historic or contemporary, can exude a sense of certainty about their accuracy. They can also evade complexity by excluding underrepresented narratives about place such as those held by indigenous and other marginalized communities. Through engaging with a framework of complexity, ethics, and humility, we propose a technique of immersive virtual storytelling (IVS) that foregrounds uncertainty through a combination of realistic material treatments and translucent, ephemeral “ghost textures.” By applying these treatments to two virtual three-dimensional models telling a pre- and post-construction story of a World War II-era rifle range, we were able to test the use of these treatments in exposing gaps in archival data. This highlighted the predominance of a colonial lens in guiding historic site visualization, raising a question of how other narratives might be included without conforming to a colonial framework.","PeriodicalId":101038,"journal":{"name":"Presence","volume":"30 ","pages":"85-98"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Problematizing Realism: Confronting Colonial Perspectives and Engaging Complexities of Landscape Through “Ghost Textures”\",\"authors\":\"Aidan Ackerman;Christopher Koudelka;Paul Hirsch;Owen Zaengle\",\"doi\":\"10.1162/pres_a_00370\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Realistic virtual reality visualizations of a physical place, whether historic or contemporary, can exude a sense of certainty about their accuracy. They can also evade complexity by excluding underrepresented narratives about place such as those held by indigenous and other marginalized communities. Through engaging with a framework of complexity, ethics, and humility, we propose a technique of immersive virtual storytelling (IVS) that foregrounds uncertainty through a combination of realistic material treatments and translucent, ephemeral “ghost textures.” By applying these treatments to two virtual three-dimensional models telling a pre- and post-construction story of a World War II-era rifle range, we were able to test the use of these treatments in exposing gaps in archival data. This highlighted the predominance of a colonial lens in guiding historic site visualization, raising a question of how other narratives might be included without conforming to a colonial framework.\",\"PeriodicalId\":101038,\"journal\":{\"name\":\"Presence\",\"volume\":\"30 \",\"pages\":\"85-98\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Presence\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://ieeexplore.ieee.org/document/10159599/\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Presence","FirstCategoryId":"1085","ListUrlMain":"https://ieeexplore.ieee.org/document/10159599/","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Problematizing Realism: Confronting Colonial Perspectives and Engaging Complexities of Landscape Through “Ghost Textures”
Abstract Realistic virtual reality visualizations of a physical place, whether historic or contemporary, can exude a sense of certainty about their accuracy. They can also evade complexity by excluding underrepresented narratives about place such as those held by indigenous and other marginalized communities. Through engaging with a framework of complexity, ethics, and humility, we propose a technique of immersive virtual storytelling (IVS) that foregrounds uncertainty through a combination of realistic material treatments and translucent, ephemeral “ghost textures.” By applying these treatments to two virtual three-dimensional models telling a pre- and post-construction story of a World War II-era rifle range, we were able to test the use of these treatments in exposing gaps in archival data. This highlighted the predominance of a colonial lens in guiding historic site visualization, raising a question of how other narratives might be included without conforming to a colonial framework.