使用模仿和结构进行个性化流行音乐生成

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Shuqi Dai, Xichu Ma, Ye Wang, Roger B. Dannenberg
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引用次数: 0

摘要

近年来,音乐创作中出现了许多实践。虽然使用深度学习技术生成风格音乐已经成为主流,但这些模型仍然难以生成具有高音乐性、不同层次的音乐结构和可控性的音乐。此外,音乐治疗等更多的应用场景需要从几个给定的音乐示例中模仿更具体的音乐风格,而不是捕获大型数据语料库的整体类型风格。为了解决挑战当前深度学习方法的需求,我们提出了一个统计机器学习模型,该模型能够从给定的示例种子歌曲中捕获和模仿结构、旋律、和弦和低音风格。使用10首流行歌曲进行的评估表明,我们的新表示和方法能够创建与给定输入歌曲相似的高质量风格音乐。我们还讨论了我们的方法在音乐评价和音乐治疗中的潜在用途。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Personalised popular music generation using imitation and structure

Personalised popular music generation using imitation and structure

Many practices have been presented in music generation recently. While stylistic music generation using deep learning techniques has became the main stream, these models still struggle to generate music with high musicality, different levels of music structure, and controllability. In addition, more application scenarios such as music therapy require imitating more specific musical styles from a few given music examples, rather than capturing the overall genre style of a large data corpus. To address requirements that challenge current deep learning methods, we propose a statistical machine learning model that is able to capture and imitate the structure, melody, chord, and bass style from a given example seed song. An evaluation using 10 pop songs shows that our new representations and methods are able to create high-quality stylistic music that is similar to a given input song. We also discuss potential uses of our approach in music evaluation and music therapy.

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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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