{"title":"编辑,43.2","authors":"Tom Six","doi":"10.1080/14682761.2023.2260215","DOIUrl":null,"url":null,"abstract":"This editorial reflects on an intervention at this year's International Federation of Theatre Research conference by Ghanaian trans artist and activist Va-Bene Elikem K. Fiatsi (aka crazinisT artis...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"67 44","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Editorial, 43.2\",\"authors\":\"Tom Six\",\"doi\":\"10.1080/14682761.2023.2260215\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This editorial reflects on an intervention at this year's International Federation of Theatre Research conference by Ghanaian trans artist and activist Va-Bene Elikem K. Fiatsi (aka crazinisT artis...\",\"PeriodicalId\":42067,\"journal\":{\"name\":\"Studies in Theatre and Performance\",\"volume\":\"67 44\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-10-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14682761.2023.2260215\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2023.2260215","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
这篇社论反映了加纳跨性别艺术家和活动家Va-Bene Elikem K. Fiatsi(又名疯狂艺术家)在今年国际戏剧研究联合会会议上的发言。
This editorial reflects on an intervention at this year's International Federation of Theatre Research conference by Ghanaian trans artist and activist Va-Bene Elikem K. Fiatsi (aka crazinisT artis...
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