{"title":"感兴趣的产品","authors":"","doi":"10.1162/comj_r_00601","DOIUrl":null,"url":null,"abstract":"Expressive E, creator of the Touche MIDI/CV controller and the Osmose keyboard synthesizer/controller, has teamed up with Applied Acoustics Systems (AAS), renowned for their physical modeling software instruments, to create a new software plug-in instrument called Imagine (see Figure 1). Imagine allows the user to create and play sounds based on the resonant bodies of physical real-life instruments and to modify them to create fantastical instruments and new acoustic landscapes. Expressive E has created hundreds of presets for Imagine based on feedback from musicians, composers, sound designers, and producers. Each preset is made up","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"45 2","pages":"91-106"},"PeriodicalIF":0.4000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Products of Interest\",\"authors\":\"\",\"doi\":\"10.1162/comj_r_00601\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Expressive E, creator of the Touche MIDI/CV controller and the Osmose keyboard synthesizer/controller, has teamed up with Applied Acoustics Systems (AAS), renowned for their physical modeling software instruments, to create a new software plug-in instrument called Imagine (see Figure 1). Imagine allows the user to create and play sounds based on the resonant bodies of physical real-life instruments and to modify them to create fantastical instruments and new acoustic landscapes. Expressive E has created hundreds of presets for Imagine based on feedback from musicians, composers, sound designers, and producers. Each preset is made up\",\"PeriodicalId\":50639,\"journal\":{\"name\":\"Computer Music Journal\",\"volume\":\"45 2\",\"pages\":\"91-106\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Computer Music Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://ieeexplore.ieee.org/document/9931078/\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Computer Music Journal","FirstCategoryId":"1085","ListUrlMain":"https://ieeexplore.ieee.org/document/9931078/","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Expressive E, creator of the Touche MIDI/CV controller and the Osmose keyboard synthesizer/controller, has teamed up with Applied Acoustics Systems (AAS), renowned for their physical modeling software instruments, to create a new software plug-in instrument called Imagine (see Figure 1). Imagine allows the user to create and play sounds based on the resonant bodies of physical real-life instruments and to modify them to create fantastical instruments and new acoustic landscapes. Expressive E has created hundreds of presets for Imagine based on feedback from musicians, composers, sound designers, and producers. Each preset is made up
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.