卡洛斯·福萨蒂的《恶棍、恶棍与死亡》（1966年）：乌拉圭恶棍

IF 0.1 2区文学 0 LITERATURE, ROMANCE

Perinola-Revista de Investigacion Quevediana Pub Date : 2019-08-09 DOI:10.15581/017.23.281-297

Emmanuel Marigno-Vázquez

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引用次数: 0

摘要

本文分析了乌拉圭人卡洛斯·福萨蒂（Carlos Fossatti）关于埃斯卡拉曼（Escarraman）主题的一幅不为人知的版画，试图强调《奎维多》文本与福萨蒂的塑料超文本之间的关系，以及奎维多的《雅克拉斯》在1960-1970年间对乌拉圭艺术和社会文化背景的特殊性的贡献。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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"Escarramán, rufianes y la muerte" (1966), de Carlos Fossatti: un Escarramán uruguayo

The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarraman, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jacaras to the specificity of the artistic and sociocultural context of the Uruguay around the years 1960-1970.

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来源期刊

Perinola-Revista de Investigacion Quevediana LITERATURE, ROMANCE-

CiteScore

0.30

自引率

50.00%

发文量