{"title":"珀斯流行音乐现场的考古、遗产和表演","authors":"S. Winter, B'geella Romano","doi":"10.1558/jca.36005","DOIUrl":null,"url":null,"abstract":"The city of Perth, Western Australia, has a long-running local popular music scene. Music is performed live in pubs and clubs, but it is often only a secondary reason for the running of these venues – consequently, the physical heritage of this music scene is often forgotten, with little memorialisation of the places and people involved in it. Archaeological investigation of one of these longer-running venues – the Fly By Night Club, a music venue from 1986 to 2015 – recovered a range of material culture that largely provides evidence of social encounters within the audience rather than of the many performers who have played at the Fly. The material evidence challenges the notion of modern music as capitalist commodity, including the idea of audiences as passive entities that exist in a subordinate position to performers, who occupy a privileged position within the paradigm of live music. Instead, the audience is shown to have considerable agency in the way it enhances its own enjoyment of live music, and to be an active participant in the social process of live musical performance.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/jca.36005","citationCount":"1","resultStr":"{\"title\":\"Archaeology, Heritage and Performance in the Perth Popular Music Scene\",\"authors\":\"S. Winter, B'geella Romano\",\"doi\":\"10.1558/jca.36005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The city of Perth, Western Australia, has a long-running local popular music scene. Music is performed live in pubs and clubs, but it is often only a secondary reason for the running of these venues – consequently, the physical heritage of this music scene is often forgotten, with little memorialisation of the places and people involved in it. Archaeological investigation of one of these longer-running venues – the Fly By Night Club, a music venue from 1986 to 2015 – recovered a range of material culture that largely provides evidence of social encounters within the audience rather than of the many performers who have played at the Fly. The material evidence challenges the notion of modern music as capitalist commodity, including the idea of audiences as passive entities that exist in a subordinate position to performers, who occupy a privileged position within the paradigm of live music. Instead, the audience is shown to have considerable agency in the way it enhances its own enjoyment of live music, and to be an active participant in the social process of live musical performance.\",\"PeriodicalId\":54020,\"journal\":{\"name\":\"Journal of Contemporary Archaeology\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1558/jca.36005\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Archaeology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jca.36005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.36005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
Archaeology, Heritage and Performance in the Perth Popular Music Scene
The city of Perth, Western Australia, has a long-running local popular music scene. Music is performed live in pubs and clubs, but it is often only a secondary reason for the running of these venues – consequently, the physical heritage of this music scene is often forgotten, with little memorialisation of the places and people involved in it. Archaeological investigation of one of these longer-running venues – the Fly By Night Club, a music venue from 1986 to 2015 – recovered a range of material culture that largely provides evidence of social encounters within the audience rather than of the many performers who have played at the Fly. The material evidence challenges the notion of modern music as capitalist commodity, including the idea of audiences as passive entities that exist in a subordinate position to performers, who occupy a privileged position within the paradigm of live music. Instead, the audience is shown to have considerable agency in the way it enhances its own enjoyment of live music, and to be an active participant in the social process of live musical performance.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.