交叉点的“食物组合”:Marusya Bociurkiw的《分手的安慰食品:饥饿女孩的回忆录》(2007)中的食物、(酷儿)身体和交叉点

Q2 Arts and Humanities
Weronika Suchacka
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引用次数: 0

摘要

摘要乌克兰裔加拿大酷儿作家、导演、学者和活动家Marusya Bociurkiw的作品显然致力于分析各种归属问题,以一种迷人的独特方式审视文化、记忆、历史和主体性。然而,这样的主题构图并不是博丘尔基夫多类作品的唯一明显标志和统一点;博丘尔基夫作品的另一个明显的共同点是似乎支持其创作的理念,即“将自己的归属置于隐喻中是性感的阴谋”(Brand 2001:18)。因此,博丘尔基夫的作品生动地描绘了“寻找最能引起共鸣的隐喻”的写作自我(Brand 2001:19)。在她的一部作品《分手的安慰食物:饥饿女孩的回忆录》(2007)中,这个比喻是食物,因为食物的制作艺术和进食行为在这里成为了归属问题的重要背景。因此,本文的目的是展示Bociurkiw是如何通过写食物来讨论主观性的各个方面的,无论是关于准备食物、品尝食物,还是回忆食物的准备和味道。然而,这篇文章最终要证明,Bociurkiw回忆录中的食物不仅反映了身份,而且是一个重要的交叉点。因此,在交叉性话语中,特别是在Vivian May的《追求交叉性,解开主导想象》(2015)的指导下,对分手安慰食品的分析是从跨学科的角度进行的,因为它同时基于食品研究理论,即。,Elspeth Probyn在《Carnal Appetites:FoodSexIdentities》(2000)中提出的观点,以这种方式证实了两个表面上不相关的研究领域之间可以也应该建立重要的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Alimentary Assemblages’ at Intersections: Food, (Queer) Bodies, and Intersectionality in Marusya Bociurkiw’s Comfort Food for Breakups: The Memoir of a Hungry Girl (2007)
Abstract Clearly devoted to the analysis of various issues of belonging, the work of Marusya Bociurkiw, a Ukrainian-Canadian queer writer, director, academic, and activist, examines culture, memory, history, and subjectivity in a fascinatingly unique way. Such a thematic composition is, however, not the only aspect that visibly marks and unities Bociurkiw’s multi-generic oeuvre; what clearly stands out as yet another distinguishing characteristic that Bociurkiw’s works have in common is the idea that seems to stand behind their creation – an impelling notion that “[t]o have one’s belonging lodged in a metaphor is voluptuous intrigue” (Brand 2001: 18). Consequently, what Bociurkiw’s works vividly portray is the writing-self “in search of its most resonant metaphor” (Brand 2001: 19). In one of her works, Comfort Food for Breakups: The Memoir of a Hungry Girl (2007), this metaphor is food as the art of food-making and the act of eating become here a crucial background against which the issues of belonging are played out. The aim of this article is thus to show how Bociurkiw finds her way of discussing various aspects of subjectivity by means of writing about food, whether about preparing it, tasting it, or recollecting its preparation and tastes. Ultimately, however, the article is to prove that food in Bociurkiw’s memoir not only reflects identity but is presented as a vital site of intersectionality. Thus, embedded in intersectionality discourse, and particularly instructed by Vivian May’s Pursuing Intersectionality, Unsettling Dominant Imaginaries (2015), the analysis of Comfort Food for Breakups is carried out from an interdisciplinary perspective because it is simultaneously grounded in food studies theory, i.e., the ideas developed by Elspeth Probyn in Carnal Appetites: FoodSexIdentities (2000), confirming, in this way, that vital connections can and should be made between the two, ostensibly unrelated, fields of study.
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来源期刊
Studia Anglica Posnaniensia
Studia Anglica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
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7
审稿时长
15 weeks
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