算法转向后的又一个转向?Spotify对在线音频空间的殖民

IF 1.3 3区 艺术学 0 MUSIC
Håvard Kiberg, H. Spilker
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引用次数: 1

摘要

摘要在过去的十年里,算法推荐系统的发展已经成为音乐流媒体服务之间的主要竞争因素。在这篇文章中,我们发现了一个被称为“辅助服务阶段”的新转折是如何变得突出的。我们分析了Spotify从单纯的音乐分销商转变为视听内容的一般提供商——包括对播客、视频点播、有声读物等的投资——在这些领域,扩大服务和独家内容开发构成了越来越重要的平台战略。尽管这一转变促进了创新,但从音乐行业的角度来看,这令人担忧,因为它挑战了音乐行业和平台参与者之间的权力平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space
ABSTRACT In the last decade, development of algorithmic recommendation systems has constituted the main competitive factor between music streaming services. In this article, we identify how a new turn, labelled ‘the auxiliary services phase’, is rising to prominence. We analyze Spotify’s move from being a mere music distributor, to becoming a general provider of audiovisual content – involving investments in podcasts, vodcasts, audiobooks, etc. – where expanded service offerings and exclusive content development constitute increasingly important platform strategies. Although this turn empowers innovation, it is worrisome from a music industry perspective as it challenges power balances between music industry and platform actors.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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