中现代音乐听力中的甜蜜隐喻

IF 1.3 2区 心理学 0 MUSIC
J. Stoessel, K. Spreadborough, Inés Antón-Méndez
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引用次数: 1

摘要

历史听力一直是音乐学家感兴趣的话题。然而,很少有人关注对普通实践时代(约1700年至今)之前的历史听力实践的系统研究。在第一项此类研究中,这项研究将基于中世纪音乐理论家著作的中世纪对“甜蜜”的感知模型与现代听众的审美反应进行了比较。通过两个实验收集响应。在一项内隐联想实验中,参与者被一段或多或少带有辅音的音乐节选引导,然后被呈现一个甜或苦的目标词,或一个非词,以便做出词汇决定。在外显联想实验中,参与者被要求在三点Likert量表上对在和声和音质(男性、女性、管风琴)方面不同的短音乐节选的感知甜味进行评分。将这些实验的结果与中世纪感知模型的预测进行比较,以调查早期和现代听众是否有相似的审美反应。内隐联想测试的结果与模型的预测不一致,而外显联想实验的结果则一致。这些发现表明,甜蜜的隐喻可能有助于比较中世纪和现代听众的审美反应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Metaphor of Sweetness in Medieval and Modern Music Listening
Historical listening has long been a topic of interest for musicologists. Yet, little attention has been given to the systematic study of historical listening practices before the common practice era (c. 1700–present). In the first study of its kind, this research compared a model of medieval perceptions of “sweetness” based on writings of medieval music theorists with modern day listeners’ aesthetic responses. Responses were collected through two experiments. In an implicit associations experiment, participants were primed with a more or less consonant musical excerpt, then presented with a sweet or bitter target word, or a non-word, on which to make lexical decisions. In the explicit associations experiment, participants were asked to rate on a three-point Likert scale perceived sweetness of short musical excerpts that varied in consonance and sound quality (male, female, organ). The results from these experiments were compared to predictions from a medieval perception model to investigate whether early and modern listeners have similar aesthetic responses. Results from the implicit association test were not consistent with the predictions of the model, however, results from the explicit associations experiment were. These findings indicate the metaphor of sweetness may be useful for comparing the aesthetic responses of medieval and modern listeners.
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来源期刊
Music Perception
Music Perception Multiple-
CiteScore
3.70
自引率
4.30%
发文量
22
期刊介绍: Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory
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