{"title":"Pam Muñoz Ryan的Esperanza崛起中的本体论、现象学和激进主义转变","authors":"Cristina Rhodes","doi":"10.1353/CHQ.2021.0011","DOIUrl":null,"url":null,"abstract":"Abstract:This essay analyzes Jill Krementz's popular photobooks for children. Constructed in collaboration with her child subjects, Krementz's photobooks are of interest for apparently modeling what Marah Gubar calls a \"kinship model\" of childhood that stresses children's similarities to adults. But, despite children's role in production, the photobooks ultimately reframe children within conventional discourses. Even as the books try to humanize children marginalized by race or disability and afford certain children adult-like capabilities, their progressive goals are undercut by a drive to investigate and account for children in ways that render them as innocent and \"other\" objects of curiosity.","PeriodicalId":40856,"journal":{"name":"Childrens Literature Association Quarterly","volume":"46 1","pages":"41 - 56"},"PeriodicalIF":0.2000,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/CHQ.2021.0011","citationCount":"0","resultStr":"{\"title\":\"Corporeal, Phenomenological, and Activist Transformations in Pam Muñoz Ryan's Esperanza Rising\",\"authors\":\"Cristina Rhodes\",\"doi\":\"10.1353/CHQ.2021.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay analyzes Jill Krementz's popular photobooks for children. Constructed in collaboration with her child subjects, Krementz's photobooks are of interest for apparently modeling what Marah Gubar calls a \\\"kinship model\\\" of childhood that stresses children's similarities to adults. But, despite children's role in production, the photobooks ultimately reframe children within conventional discourses. Even as the books try to humanize children marginalized by race or disability and afford certain children adult-like capabilities, their progressive goals are undercut by a drive to investigate and account for children in ways that render them as innocent and \\\"other\\\" objects of curiosity.\",\"PeriodicalId\":40856,\"journal\":{\"name\":\"Childrens Literature Association Quarterly\",\"volume\":\"46 1\",\"pages\":\"41 - 56\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/CHQ.2021.0011\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature Association Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/CHQ.2021.0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature Association Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/CHQ.2021.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Corporeal, Phenomenological, and Activist Transformations in Pam Muñoz Ryan's Esperanza Rising
Abstract:This essay analyzes Jill Krementz's popular photobooks for children. Constructed in collaboration with her child subjects, Krementz's photobooks are of interest for apparently modeling what Marah Gubar calls a "kinship model" of childhood that stresses children's similarities to adults. But, despite children's role in production, the photobooks ultimately reframe children within conventional discourses. Even as the books try to humanize children marginalized by race or disability and afford certain children adult-like capabilities, their progressive goals are undercut by a drive to investigate and account for children in ways that render them as innocent and "other" objects of curiosity.
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