“所以,我转过身来”:被无法忍受所征服,在米奇约Fukaya看到自己

IF 0.5 3区 社会学 Q3 WOMENS STUDIES
A. Storti
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引用次数: 0

摘要

摘要:为了纪念1987年自杀身亡的亚裔美国女同性恋诗人和女权主义活动家富卡娅,本文尝试了一种将酷儿和女权主义思想与诗学和自我理论相结合的阅读实践。自始至终,作者将富卡娅的生活细节与他们自己的生活细节交织在一起,翻阅富卡娅作品,迫使人们关注性暴力、愤怒、心理健康和美帝国主义等话题。富卡娅是《这座叫我背的桥:激进有色人种女性的作品》和《所有女性都是白人,所有黑人都是男性,但我们中的一些人很勇敢:黑人女性研究》的同时代人,她在第三世界女权主义、有色人种女性女权主义和20世纪80年代女权主义的讨论中基本上缺席。考虑到这种缺席,这篇文章模拟了一个人如何触摸和被死者触摸,暗示向内转向女权主义的过去是生存的先决条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"So, I turn inside": Overcome by the Unbearable, Seeing Myself in Michiyo Fukaya
Abstract:Paying tribute to Michiyo Fukaya, a mixed-race Asian American lesbian poet and feminist activist who died by suicide in 1987, this essay experiments with a reading practice that merges queer and feminist thought with poetics and autotheory. Throughout, the author interweaves details of Fukaya's life with their own, wading through Fukaya's writings to force attention onto the topics of sexual violence, anger, mental health, and U.S. imperialism. Fukaya—a contemporary of those who grace the pages of This Bridge Called My Back: Writings By Radical Women of Color and All The Women Are White, All The Blacks Are Men, But Some of Us Are Brave: Black Women's Studies—is largely absent in discussions of third world feminism, women of color feminism, and 1980s feminisms writ large. Attending to this absence, the essay models how one might touch and be touched by their dead, suggesting a turn inwards towards the feminist past as a prerequisite to survival.
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来源期刊
Feminist Studies
Feminist Studies Social Sciences-Gender Studies
CiteScore
1.60
自引率
0.00%
发文量
29
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