{"title":"历史和民族志资料在波罗的海风笛复兴中的作用","authors":"Valdis Muktupāvels","doi":"10.3986/traditio2020490201","DOIUrl":null,"url":null,"abstract":"This paper describes how the bagpipe revival process in Estonia, Latvia, and Lithuania, begun in the 1970s, has been influenced by historical and ethnographical sources, ethnomusicological scholarship, and certain personalities. Popular and academic views on the relationship between the instrument and ethnic identity—and contemporary developments in musical life—have undeniably had a considerable impact as well.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"THE ROLE OF HISTORICAL AND ETHNOGRAPHICAL SOURCES IN THE BAGPIPE REVIVAL IN THE BALTICS\",\"authors\":\"Valdis Muktupāvels\",\"doi\":\"10.3986/traditio2020490201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper describes how the bagpipe revival process in Estonia, Latvia, and Lithuania, begun in the 1970s, has been influenced by historical and ethnographical sources, ethnomusicological scholarship, and certain personalities. Popular and academic views on the relationship between the instrument and ethnic identity—and contemporary developments in musical life—have undeniably had a considerable impact as well.\",\"PeriodicalId\":35228,\"journal\":{\"name\":\"Traditiones\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Traditiones\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3986/traditio2020490201\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Traditiones","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3986/traditio2020490201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
THE ROLE OF HISTORICAL AND ETHNOGRAPHICAL SOURCES IN THE BAGPIPE REVIVAL IN THE BALTICS
This paper describes how the bagpipe revival process in Estonia, Latvia, and Lithuania, begun in the 1970s, has been influenced by historical and ethnographical sources, ethnomusicological scholarship, and certain personalities. Popular and academic views on the relationship between the instrument and ethnic identity—and contemporary developments in musical life—have undeniably had a considerable impact as well.
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