颠覆过去?:

IF 0.5 Q1 HISTORY
T. Ballantyne
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引用次数: 2

摘要

本文探讨了新西兰最近关于雕像、纪念馆和纪念文化的一些争论。这些“雕像战争”特别关注探险家、军人、殖民地总督,甚至维多利亚女王本人,他们被视为与殖民主义和帝国主义造成的持续不平等和痛苦的产生有着深刻的牵连。我的分析特别集中在Túranga/Gisborne市,这是詹姆斯·库克在新西兰的第一个登陆地,在这里,人们对库克的遗产进行了一系列激烈的辩论,并对这位航海家的雕像进行了一轮攻击。它探索了重塑这座城市记忆景观的三种方式:拆除1969年一座有争议的雕像,创造性地重新开发一个历史悠久的保护区,以及为一位重要的Ngāti Oneone tupuna(祖先)竖立雕像。这场讨论特别突出了Ngāti Oneone历史学家和艺术家Nick Tupara的作品和论点。文章的最后一部分转向作者自己的位置——Ōtepoti/达尼丁——并对该市关于雕像的辩论进行了解读,强调了土著人对历史和公共空间的看法的关键重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Toppling the Past?:
This article explores some of the recent debates over statues, memorials and cultures of commemoration in New Zealand. These 'statue wars' are particularly focused on explorers, military men, colonial governors, and even Queen Victoria herself, figures who are seen as being deeply implicated in the production of the persistent inequalities and pain that has resulted from colonialism and empire. My analysis particularly focuses on the city of Tūranga/Gisborne, James Cook's first landing place in New Zealand and a location where there has a sequence of heated debates over Cook's legacies and a series of attacks on statues of the navigator. It explores three ways in which the city's landscape of memory has been reshaped: the removal of a contentious 1969 statue, the creative redevelopment of a long-standing historic reserve, and the erection of a statue to a key Ngāti Oneone tupuna (ancestor). This discussion particularly highlights the work and arguments of the Ngāti Oneone historian and artist, Nick Tupara. The final section of the essay turns to the author's own location - Ōtepoti/Dunedin - and offers a reading of debates over statues in that city, underlining the pivotal importance of indigenous perspectives on history and public space.
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