永远流离失所?:Manzu Islam、Neamat Imam和Tahmima Anam作品中的身份、迁移和家园概念

Q3 Arts and Humanities
Anglica Pub Date : 2019-09-20 DOI:10.7311/0860-5734.28.1.06
Tahmina Mariyam
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引用次数: 0

摘要

本文通过对三部小说中国内外移民的研究,探讨了身份与民族、家园与归属的意义。在这样做的过程中,它揭示了曼祖·伊斯拉姆的《我们的沼泽之歌》中集体身份的构建,尼马特·伊玛目的《黑大衣》中的反乌托邦错位,以及塔赫迈玛·阿纳姆的《恩典的骨头》中元家的概念。散居国外的复杂而不稳定的空间似乎在不断演变,永远在变化。在这里,“家”变成了Homi K.Bhabha所说的“一个神话般的欲望之地”。在这种流散存在的流动结构中,本文考察了“去属地化”、“脱钩”、“错位”、“身份”和“归属”的概念
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forever Displaced?: Identity, Migration, and the Concept of Home in the Works of Manzu Islam, Neamat Imam, and Tahmima Anam
This paper explores the meaning of identity and nation, home and belonging, through the study of internal and international migration in three novels. In doing so it encoun- ters the construction of collective identity in Manzu Islam’s Song of our Swampland, the dystopian dislocation in Neamat Imam’s The Black Coat and the concept of meta-home in Tahmima Anam’s The Bones of Grace. The complex, unstable space of diaspora seems ever evolving and forever shifting. Here ‘home’ becomes what Homi K. Bhabha has ex- pounded as “a mythic place of desire.” In this fluid construction of diasporic existence the paper examines the concepts of “de-territorialization,” “unhoming,” “dislocation,” “iden- tity,” and “belonging.”
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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