MIDI时代之初的南卡罗：康伦·南卡罗钢琴演奏研究的保存与利用

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2017-12-01 DOI:10.1162/LMJ_a_01005

Jim W. Murphy, Trimpin

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引用次数: 2

摘要

这篇文章的重点是1987年，声音艺术家和发明家特林平将作曲家康伦·南卡罗的《钢琴研究》从他们最初的手工穿孔卷轴转换为MIDI格式的过程。除了介绍这种转换中使用的技术外，文章还重点介绍了Trimpin和Nancarrow之间的合作，以及将基于易受攻击的媒体格式创作的作品移植到提供扩展、分析和保存的格式的重要性。文章最后概述了代码转换后的Nancarrow分数的一些示例使用，包括传统表演和两个扩展表演和装置。

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Transcoding Nancarrow at the Dawn of the Age of MIDI: The Preservation and Use of Conlon Nancarrow’s Player Piano Studies

This article focuses on the process by which, in 1987, sound artist and inventor Trimpin converted composer Conlon Nancarrow’s Studies for Player Piano from their original hand-punched rolls into the MIDI format. In addition to presenting the technology utilized in this conversion, the article focuses on the collaboration between Trimpin and Nancarrow, and on the significance of the act of porting works composed upon a vulnerable media format to a format that affords extension, analysis and preservation. The article concludes with an overview of a number of example uses of the transcoded Nancarrow scores, including traditional performances and two extended performances and installations.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.