从瓦格纳的《死亡漫步》看“死亡宣告”场景中的旋转原理

IF 0.4 2区 艺术学 0 MUSIC
Ji Yeon Lee
{"title":"从瓦格纳的《死亡漫步》看“死亡宣告”场景中的旋转原理","authors":"Ji Yeon Lee","doi":"10.30535/mto.28.2.5","DOIUrl":null,"url":null,"abstract":"Structured as a dialog, the “Annunciation of Death,” a duet in Act 2, Scene 4 of Wagner’s Die Walküre, centers on the changing dramatic relationship between Brünnhilde and Siegmund. A hardhearted, obedient warrior at the beginning of their first encounter, Brünnhilde learns sympathy and compassion from Siegmund’s profound love for Sieglinde; this knowledge transforms her into the woman who eventually sacrifices herself through love to redeem the divine world at the end of the cycle. The article examines how this narrative dynamic is reflected in the musical architecture. It reads the scene’s overarching form as a three-stage process in which the characters struggle for narrative control, from Brünnhilde’s declaration of Siegmund’s fate to his rewriting of that fate in his favor. The rotational principle is the primary formal function clarifying the transformations and interactions of leitmotifs in the playing-out of the dramatic narrative. The article thereby demonstrates the effectiveness of the rotational principle for understanding the scene’s teleological process as embedded in the music and drama.","PeriodicalId":44918,"journal":{"name":"Music Theory Online","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre\",\"authors\":\"Ji Yeon Lee\",\"doi\":\"10.30535/mto.28.2.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Structured as a dialog, the “Annunciation of Death,” a duet in Act 2, Scene 4 of Wagner’s Die Walküre, centers on the changing dramatic relationship between Brünnhilde and Siegmund. A hardhearted, obedient warrior at the beginning of their first encounter, Brünnhilde learns sympathy and compassion from Siegmund’s profound love for Sieglinde; this knowledge transforms her into the woman who eventually sacrifices herself through love to redeem the divine world at the end of the cycle. The article examines how this narrative dynamic is reflected in the musical architecture. It reads the scene’s overarching form as a three-stage process in which the characters struggle for narrative control, from Brünnhilde’s declaration of Siegmund’s fate to his rewriting of that fate in his favor. The rotational principle is the primary formal function clarifying the transformations and interactions of leitmotifs in the playing-out of the dramatic narrative. The article thereby demonstrates the effectiveness of the rotational principle for understanding the scene’s teleological process as embedded in the music and drama.\",\"PeriodicalId\":44918,\"journal\":{\"name\":\"Music Theory Online\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Theory Online\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30535/mto.28.2.5\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Theory Online","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/mto.28.2.5","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

瓦格纳的《死亡漫步》第二幕第四场中的二重唱《死亡报喜》以对话的形式构建,以布伦希尔德和西格蒙德之间不断变化的戏剧关系为中心。在他们第一次相遇之初,布伦希尔德是一个心地善良、顺从的战士,他从齐格蒙德对齐格林德的深厚爱中获得了同情和同情;这一知识将她转变为一个女人,她最终通过爱来牺牲自己,以在周期结束时救赎神圣的世界。本文探讨了这种叙事动态是如何在音乐建筑中得到体现的。它将场景的总体形式解读为一个三阶段的过程,在这个过程中,角色们为叙事控制而斗争,从布伦希尔德对西格蒙德命运的宣告到他对命运的改写。轮换原则是阐明戏剧叙事中主旋律转换和相互作用的主要形式功能。因此,本文证明了旋转原则在理解音乐和戏剧中场景的目的论过程方面的有效性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre
Structured as a dialog, the “Annunciation of Death,” a duet in Act 2, Scene 4 of Wagner’s Die Walküre, centers on the changing dramatic relationship between Brünnhilde and Siegmund. A hardhearted, obedient warrior at the beginning of their first encounter, Brünnhilde learns sympathy and compassion from Siegmund’s profound love for Sieglinde; this knowledge transforms her into the woman who eventually sacrifices herself through love to redeem the divine world at the end of the cycle. The article examines how this narrative dynamic is reflected in the musical architecture. It reads the scene’s overarching form as a three-stage process in which the characters struggle for narrative control, from Brünnhilde’s declaration of Siegmund’s fate to his rewriting of that fate in his favor. The rotational principle is the primary formal function clarifying the transformations and interactions of leitmotifs in the playing-out of the dramatic narrative. The article thereby demonstrates the effectiveness of the rotational principle for understanding the scene’s teleological process as embedded in the music and drama.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.70
自引率
25.00%
发文量
26
审稿时长
42 weeks
期刊介绍: Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信