在土地与定居者主体性之间——凯瑟琳·曼斯菲尔德《序曲》中的现代主义动物领地

IF 0.1 3区 文学 0 LITERATURE
Anushka Sen
{"title":"在土地与定居者主体性之间——凯瑟琳·曼斯菲尔德《序曲》中的现代主义动物领地","authors":"Anushka Sen","doi":"10.7560/tsll64301","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay examines animal presence in Katherine Mansfield’s “Prelude,” demonstrating how the text’s aesthetics of animacy—the way different beings in the story undergo creaturely transformations and brim with an uncontainable vitality—cannot be read in isolation from the settler colonial environment of rural New Zealand. In establishing this connection, the essay argues that the dreamlike world of “Prelude” indicates the makings of an emergent settler territory.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"64 1","pages":"207 - 232"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”\",\"authors\":\"Anushka Sen\",\"doi\":\"10.7560/tsll64301\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay examines animal presence in Katherine Mansfield’s “Prelude,” demonstrating how the text’s aesthetics of animacy—the way different beings in the story undergo creaturely transformations and brim with an uncontainable vitality—cannot be read in isolation from the settler colonial environment of rural New Zealand. In establishing this connection, the essay argues that the dreamlike world of “Prelude” indicates the makings of an emergent settler territory.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"64 1\",\"pages\":\"207 - 232\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll64301\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll64301","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要:本文考察了凯瑟琳·曼斯菲尔德的《前奏曲》中动物的存在,展示了文本中的动物美学——故事中不同的生命经历了创造性的转变,并充满了无法控制的活力——不能与新西兰农村的定居者殖民环境隔离开来阅读。在建立这种联系的过程中,文章认为《前奏曲》中梦幻般的世界预示着一个新兴的定居者领地的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”
ABSTRACT:This essay examines animal presence in Katherine Mansfield’s “Prelude,” demonstrating how the text’s aesthetics of animacy—the way different beings in the story undergo creaturely transformations and brim with an uncontainable vitality—cannot be read in isolation from the settler colonial environment of rural New Zealand. In establishing this connection, the essay argues that the dreamlike world of “Prelude” indicates the makings of an emergent settler territory.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
50.00%
发文量
14
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信