世界与世界:凯萨琳·杰米和南·谢泼德非小说叙事中的身体感知

IF 0.3 Q2 HISTORY
Kirsteen Bell
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引用次数: 0

摘要

在自然和山地写作的传统中,孤独的男性知识分子长期占据主导地位,凯瑟琳·杰米和南·谢泼德脱颖而出,提供了一种关于自然世界的新写作方式。他们作品中固有的是对人性的重新定位,既没有将人类与生活世界分开,也没有决定在那里感知到的任何东西。相反,杰米和谢泼德都专注于他们对世界的感知体验,关注他们的身体感知,以此来解释这个世界并表达他们所处的世界,然后考虑语言与身体的关系,以及它在Shepherd所说的位置和心灵的“渗透”中所能发挥的作用。1然后,我将考虑杰米和谢泼德的视角如何塑造他们的文本写作,从对生活景观的感知体验,到将其转化为语言,再到作家形成的文本,以及自然写作与生活世界的联系方式的后续影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Word and World: Bodily Perception in the Narrative Non-fiction of Kathleen Jamie and Nan Shepherd
In a tradition of nature and mountain writing in which the solitary male intellectual has long dominated, Kathleen Jamie and Nan Shepherd stood out as offering a new way of writing about the natural world. Inherent in their writing is a repositioning of humanity that neither separates the human from the living world, nor determines anything that is perceived there. Instead, both Jamie and Shepherd focus on their sensed experience of the world, on their bodily perception, as a means by which to interpret that world and to express their part of it. I will draw primarily on the non-fiction prose of both writers to establish this privileging of the senses of the body, and to consider then the relationship that language has with the body and the role that it can play in what Shepherd calls the ‘interpenetration’ of place and mind. 1 I will then consider how Jamie's and Shepherd's perspective shapes the writing of their texts, the journey from sensed experience of the living landscape, through its transformation into language, to the text formed by the writer, and the subsequent implications for the way in which nature writing connects with the living world from which it came.
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