创造性的毁灭:克劳迪安《德拉普图散文集》中的元文学树断裂

IF 0.2 3区 历史学 0 CLASSICS
ARETHUSA Pub Date : 2021-08-18 DOI:10.1353/are.2021.0003
Joshua J. Hartman
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引用次数: 1

摘要

摘要:本文考察了克劳迪安的《德拉普图散文集》中的“树的侵犯”,作为对拉丁史诗传统和诗歌次级性接受的元文学评论。在将树木与众多文学传统(如田园诗、巨人史诗、变形史诗)联系起来后,叙述者详细描述了谷神星对树木的侵犯,谷神星将木材制成火把。这一场景中的典故和一般联想展示了克劳迪安小树林的元文学潜力,并揭示了其破旧的树木作为早期诗歌的类似物,适合第二诗人收割和使用。在小树林和诗中的其他地方,将其与航海进行比较,对这种解释至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creative Destruction: Metaliterary Tree Violation in Claudian’s De Raptu Proserpinae
Abstract:This article examines tree violation in Claudian’s De Raptu Proserpinae as a metaliterary comment on the reception of the Latin epic tradition and poetic secondariness. After connecting the trees to numerous literary traditions (e.g., pastoral, Gigantomachic epic, metamorphic epic), the narrator details their violation by Ceres, who fashions the timber into torches. The allusions and generic associations within this scene demonstrate the metaliterary potential of Claudian’s grove and reveal its decrepit trees as analogues for earlier poetry, fit to be harvested and used by the secondary poet. Comparisons to seafaring, found within the grove scene and elsewhere in the poem, are crucial for this interpretation.
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来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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