《诗意的转变:湄公河平原上的十八世纪文化工程》,Claudine Ang著(综述)

IF 0.5 4区 历史学 0 ASIAN STUDIES
N. Nguyen
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摘要

哈佛燕京研究所发表HJAS 80.2(2020):493–499実物教授), 在阿达尔将实物引入课程之前至少20年,它将这个词引入了日本教育话语。尽管到19世纪90年代初,开发树木在明治教育机构中失宠,但作为两次世界大战之间自由教育运动的一部分,其基本哲学在课堂教师中得到了复兴,山本的自由绘画是其中的一部分。1这些观察并没有削弱《帝国时代的美女》在展示跨国方法在研究非西方历史,特别是日本和埃及的现代化和教育史方面的价值方面所做的实质性贡献。就像每一本好的专著一样,它也为未来的研究提出了新的问题。例如,台湾和韩国的美育史是否与本书记载的日本本土岛屿的美育史相同?在这一时期,美育思想的跨国运动是否曾朝着另一个方向流动——从东方到西方?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetic Transformations: Eighteenth-Century Cultural Projects on the Mekong Plains by Claudine Ang (review)
Published by the Harvard-Yenching Institute HJAS 80.2 (2020): 493–499 実物教授), which introduced the term into Japanese educational discourse at least two decades before Adal dates the introduction of real objects into the curriculum. Although kaihatsu shugi fell out of favor with the Meiji educational establishment by the early 1890s, its underlying philosophy experienced a revival among classroom teachers as part of the interwar free education movement, of which Yamamoto’s free drawing was a part.1 These observations do not diminish the substantial contribution that Beauty in the Age of Empire makes in demonstrating the value of transnational approaches in the study of non-Western history in general, as well as the history of modernization and education in Japan and Egypt, in particular. Like every good monograph, it also prompts new questions for future study. For example, did the history of aesthetic education follow the same trajectory in colonial Taiwan and Korea as the one this book chronicles on the Japanese home islands? And did the transnational movement of ideas about aesthetic education ever flow in the other direction—from East to West—during this time period?
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