算法对齐的暂停操作

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Hanns Holger Rutz
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引用次数: 1

摘要

与关于算法的创建和操作是否附加了特定的(社会、道德)责任的讨论不同,本文质疑了具有可附加该责任的算法身份的先决条件。在表明这种身份在一定程度上是虚构的,因为算法与其他算法相连,并且它们的身份总是对算法产生的一系列转变的选择性解读之后,视角转向了作为算法媒介和实际代理领域的算法。这种转变将责任转化为通过敏感的结盟形式来应对他人和非同一性的能力。本文将该算法与Deleuze和Guattari的期望机器进行了比较,提出其流动和中断的动力学可以艺术地反映为停止操作,以对抗算法的肤浅评估,例如在经典决策问题或停止问题下。通过在可信和不可思议、可信和不可信之间进行平衡,提出了一种使内部动态可感知的可能策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Halting Operations for Algorithmic Alignment
Departing from the discourse on whether a specific (social, ethical) responsibility is attached to the creation and manipulation of algorithms, this article questions the prerequisite of having an identity of algorithms to which that responsibility could be attached. After showing that such identity is partly fictional due to the fact that algorithms are connected to other algorithms and their identity is always a selective reading of a series of transitions through which algorithms come into existence, the perspective is shifted to the algorithmic as the medium of algorithms and as the actual agential domain. This shift translates responsibility into the ability to respond to otherness and non-identity through sensitive forms of alignment. Comparing the algorithmic with the desiring-machines of Deleuze and Guattari, this article proposes that its dynamics of flows and interruptions could be artistically reflected as halting operations that controvert the superficial evaluation of algorithms, for example under the classical decision problem or halting problem. A possible strategy for making the inner dynamics perceivable is proposed through a balancing act between the credible and the incredible, the plausible and the implausible.
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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