{"title":"生殖诗学:尤妮卡《布莱克克》中的不孕与调解","authors":"Bren Ram","doi":"10.1353/arq.2023.0001","DOIUrl":null,"url":null,"abstract":"Abstract:Poiesis, or the process by which something comes into being, is gendered, particularly when it pertains to writing poetry. The fraught connection between the language of creation and embodiment is thrown into sharp relief by Monica Youn’s poetry collection Blackacre (2016), which deals with pregnancy, reproduction, and infertility. This article explores the body as a site of mediation in the poems of Blackacre, which shows how the supposedly inherent reproductivity of women speakers’ bodies mediates their use of poetic language, even—or especially—when the poetry is about the absence of that reproductivity. The figure of the hand, in place of the more gendered womb, manifests the relationship between sensing bodies and written text. Tracing this figure through Blackacre, I demonstrate how an understanding that mediation is creative and productive reveals the source of gendered poietic anxiety: an uncomfortable metonymy between women’s bodies and the language of creation.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"79 1","pages":"105 - 129"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reproductive Poetics: Infertility and Mediation in Monica Youn’s Blackacre\",\"authors\":\"Bren Ram\",\"doi\":\"10.1353/arq.2023.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Poiesis, or the process by which something comes into being, is gendered, particularly when it pertains to writing poetry. The fraught connection between the language of creation and embodiment is thrown into sharp relief by Monica Youn’s poetry collection Blackacre (2016), which deals with pregnancy, reproduction, and infertility. This article explores the body as a site of mediation in the poems of Blackacre, which shows how the supposedly inherent reproductivity of women speakers’ bodies mediates their use of poetic language, even—or especially—when the poetry is about the absence of that reproductivity. The figure of the hand, in place of the more gendered womb, manifests the relationship between sensing bodies and written text. Tracing this figure through Blackacre, I demonstrate how an understanding that mediation is creative and productive reveals the source of gendered poietic anxiety: an uncomfortable metonymy between women’s bodies and the language of creation.\",\"PeriodicalId\":42394,\"journal\":{\"name\":\"Arizona Quarterly\",\"volume\":\"79 1\",\"pages\":\"105 - 129\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arizona Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/arq.2023.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arizona Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/arq.2023.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Reproductive Poetics: Infertility and Mediation in Monica Youn’s Blackacre
Abstract:Poiesis, or the process by which something comes into being, is gendered, particularly when it pertains to writing poetry. The fraught connection between the language of creation and embodiment is thrown into sharp relief by Monica Youn’s poetry collection Blackacre (2016), which deals with pregnancy, reproduction, and infertility. This article explores the body as a site of mediation in the poems of Blackacre, which shows how the supposedly inherent reproductivity of women speakers’ bodies mediates their use of poetic language, even—or especially—when the poetry is about the absence of that reproductivity. The figure of the hand, in place of the more gendered womb, manifests the relationship between sensing bodies and written text. Tracing this figure through Blackacre, I demonstrate how an understanding that mediation is creative and productive reveals the source of gendered poietic anxiety: an uncomfortable metonymy between women’s bodies and the language of creation.
期刊介绍:
Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.