解读两分钟魔术:印度电视台播放的Maggi广告中的男人、女人和孩子

Q2 Arts and Humanities
Aditya Sankar
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引用次数: 0

摘要

本文讨论了在印度不同时期播出的Maggi电视广告中,男性、女性和儿童是如何被代表的。该分析试图解释不同时期不同人物、元素和行为在表现和象征方面的异同。根据分析,Maggi将其工业食品特征隐藏在一些植根于婆罗门教父权制的明确表述背后。Maggi开始展示他们的面条,作为由没有工作的上层种姓母亲制作的快乐饥饿儿童的食物。Maggi广告中的男人从不做饭。这些广告在很多方面都包含了净化仪式的象征。这些表现掩盖了Maggi的工业食品特征,如味道的再现、制作的简单和方便。然而,在2015年印度食品监管机构禁止Maggi后,Maggi的广告变得现实起来。他们开始展示来自不同阶级和种姓群体的人,男人们在街上做饭和Maggi,并开始通过广告宣称自己是一种工业食品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deciphering Two-minute Magic: Men, Women and Children in Maggi Advertisements Aired in Indian Television
This article discusses how men, women and children have been represented in Maggi television advertisements aired at different periods in India. The analysis attempts to interpret the similarities and differences in representation and symbolisation of different characters, elements and acts at different periods. As per the analysis, Maggi was hiding its industrial food characteristics behind some of the explicit representations rooted in Brahmanical patriarchy. Maggi started showing their noodles as food for happy and hungry children made by non-working upper-caste-class mothers. Men in Maggi advertisements never cooked. The advertisements included the symbolisation of ritualistic purification in many ways. These representations cover up Maggi’s industrial food characteristics such as reproduction of taste, simplicity to make and convenience. However, Maggi’s advertisements became realistic after India’s food regulator had banned Maggi in 2015. They started to show people from different classes and caste groups, men cook and Maggi being served on streets and started to claim itself as an industrial food through its advertisements.
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来源期刊
The Sociological Bulletin
The Sociological Bulletin Arts and Humanities-History
CiteScore
0.80
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0.00%
发文量
44
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