短期/材料

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349469

R. K. Davis

引用次数: 0

摘要

这篇文章考察了Barbara Hammer的档案被转移到耶鲁大学的Beinecke珍本手稿图书馆的情况。负责收藏的档案管理员强调了这一过程中的复杂情绪，并反思了她自己的档案工作是如何受到哈默的影响的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Ephemeral/Material

This piece examines the transfer of Barbara Hammer's archive to the Beinecke Rare Book and Manuscript Library at Yale University. The archivist working with the collection highlights the complex emotions involved with this process and reflects on how her own archival work was influenced by Hammer.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.