Blotetown的报告文学:Yisroel Yoysef Zevin(Tashrak)与纽约市的现代化

IF 0.2 4区 哲学 Q2 HISTORY
G. Ribak
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引用次数: 0

摘要

摘要被忽视但广受欢迎的意第绪语幽默作家Tashrak(Yisroel Yoysef Zevin的笔名)不仅提供了一个机会来发现犹太城市体验和现代意第绪文化中研究不足的方面,还让我们能够深入了解美国讲意第绪文的犹太人的信仰、行为、判断和态度。Tashrak风趣地向读者传达了一个令人欣慰的新世界形象:纽约市只是一个扩大的小村庄,其犹太居民在一系列问题上发生冲突,同时遇到了一些刻板的非犹太人。在他对犹太人内部分裂和争端、与非犹太人的关系以及现代性和同化的考验的描述中,塔什拉克在某种程度上遵循了早期意第绪语和希伯来语作家的文学道路。然而,评论家们经常认为他的政治是保守的或非政治的,并认为他的文学风格是低俗的,因此他们完全无视他的作品,或称其毫无价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reportage from Blotetown: Yisroel-Yoysef Zevin (Tashrak) and the Shtetlization of New York City
ABSTRACT The neglected-but-popular Yiddish humorist Tashrak (penname of Yisroel-Yoysef Zevin) offers not just an opportunity to discover understudied aspects of the Jewish urban experience and modern Yiddish culture, but also allows us to tap into a less refined level of beliefs, behavior, judgments and attitudes of Yiddish-speaking Jews in America. Tashrak wittily conveyed to his readers a comforting image of the New World: New York City was just an enlarged shtetl, whose Jewish residents clashed over a host of issues, while encountering a number of stereotypical non-Jews. In his representation of internal Jewish divisions and disputes, relations with non-Jews, and the trials of modernity and assimilation, Tashrak followed, to some extent, the literary paths of earlier Yiddish and Hebrew writers. Yet critics often frowned upon his politics as either conservative or apolitical, and considered his literary style as lowbrow, thus they disregarded his work altogether, or referred to it as worthless.
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